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To realise the beautiful contrast, I need glass, the material that changes its shape so easily with the heat that I’d forget that most of the time, it is still and hard object. 

Often, I connect numerous glass chains in a random way to give the piece a movement, flexibility, or even to add tiny clinking sound.

I also enjoy making sharp geometric shapes as a reflection of the natural order seen in the crystallisation of minerals etc. In either of the cases, being loyal to the first impressions I had from natural phenomena and keep the intervention minimal are always important in my work.

As much as my pieces are transparent, I’d want my mind to be so.