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Material experimentation is used to explore how objects respond to the body. Through foam, metal, and thermochromic processes, the work registers touch, heat, and presence as part of its form.
Thousands of hand-formed loops reveal unseen labour, transforming heritage textile craft into tactile records of time, care, and material devotion.
Metal is used to explore boundaries, spatial relationships, and states of transformation. Drawing from everyday observation, the work considers how connections emerge between people, objects, and environments.
Ceramics is rethought through an environmental lens, using foraged and overlooked materials to question the discipline’s ecological impact. The work foregrounds residue, process, and the embedded histories of material.
Architecture, jewellery, and archival thinking intersect within a practice concerned with cultural memory. Objects are approached as fragments of a larger spatial narrative, where making becomes a form of recording and reactivating lived histories.
Form and glaze are developed in close dialogue, grounded in a detailed understanding of ceramic behaviour. The work brings together material chemistry and Chinese philosophical thought to propose a contemporary Asian aesthetic shaped through both control and constraint.
Glaze is treated as a conceptual medium rather than a decorative finish. Working with ash and natural materials, the practice explores transformation and the shifting states of matter between organic and inorganic.
Material transformation is central to a practice that combines technical discipline with experimental inquiry. By pushing ceramic processes beyond convention, the work proposes new possibilities for contemporary material language.
Organic waste materials are transformed into textiles through natural dyeing, weaving, and biomaterial processes. The work foregrounds sustainability as both method and material inquiry.
Wire is woven by hand into lightweight, transparent structures that appear both solid and immaterial. Drawing on architectural thinking, the work explores perception, depth, and the boundaries of form.
Furniture and objects are constructed through a combination of wood and ceramics, balancing structural logic with tactile making. Reclaimed materials and modular approaches inform a practice grounded in resourcefulness and care.
Collaboration sits at the centre of this practice, where typography, coding, and workshops are used to explore shared authorship. The work develops systems through which collective voices can take form.
Enamel is used as a primary material to explore texture, colour, and surface within a contemporary context. Through variation and layering, the work aims to evoke a tactile and emotional response.
Rooted in calligraphy and painting, the practice explores the relationship between gesture, form, and image. Traditional techniques are extended into a contemporary context through material and composition.
Natural materials are used to question human-centred perspectives and the boundaries between culture, science, and nature. The work explores tension and resistance within natural systems.
Typography becomes a shared ground for experimentation, balancing expressive form with clarity and structure. Bringing together different approaches to type and visual systems, the collaboration explores how language can shift between readability and visual expression.
Costume becomes a tool for constructing character and narrative across film and performance. From concept to final image, the work develops a visual language shaped through collaboration and making.
High craftsmanship meets conceptual enquiry through jewellery rooted in Eastern cultural contexts. The work navigates identity, value, and tradition, balancing precision with symbolic meaning.
Natural fibres and ecological colour are shaped through tension and pressure, producing works that carry a geological sense of time. Each piece is closely tied to landscape, formed through processes of gathering, dyeing, and making.
Furniture and textile processes are brought together to reframe endangered craft traditions within a contemporary context. Through material culture, the work carries narratives of memory, labour, and cultural continuity.
Across glass, installation, and light-based work, material becomes a means of reflecting on impermanence and shifting identity. Drawing on Buddhist and Daoist philosophy, the practice constructs immersive environments where perception remains fluid and unresolved.
Light is shaped through porcelain, using thickness and translucency to control its diffusion. The resulting works sit between functional object and sculptural form, grounded in careful material handling.
Weaving is used as a framework to explore cultural continuity, sustainability, and material adaptation. Traditional techniques are reworked through local fibres and natural dyes, grounding the practice in both place and process.
Architecture extends into ceramics as a way of exploring space, structure, and tactility at a different scale. The work investigates the relationship between form and void, precision and unpredictability.
Thread is stretched and layered across canvas, cork, and other surfaces to produce intricate, rhythmic compositions. The work sits between textile, object, and spatial intervention, expanding beyond conventional material boundaries.
Questions of connection and intimacy are examined through jewellery in the context of a fast-paced, technology-driven world. Metal and organic materials are used to reflect on presence, absence, and emotional exchange.
Painting becomes a space to reconcile classical European traditions with contemporary psychological depth. Through portraiture and symbolism, the work explores inner states with precision and restraint.
Working across cyanotype, painting, and mixed media, the practice considers how memory alters perception. Images emerge as traces rather than fixed representations, suspended between presence and disappearance.
Painting and digital media are used to explore time, memory, and technological change. Recurring elements of water and blue tones create a quiet atmosphere, reflecting on shifts between past, present, and future.
Space, object, and human behaviour are explored through furniture and spatial design. The work experiments with material, structure, and anthropomorphic forms to construct environments shaped by cultural and bodily experience.
Everyday observations are translated into jewellery through careful goldsmithing and attention to detail. The work focuses on small narratives, where material and form carry quiet, personal stories.
Kinetic systems, light, and interactive technologies are brought together to produce responsive environments. Each work shifts through audience movement, turning space into something unstable, participatory, and continuously redefined.
Fine threads and translucent layers evoke underwater light, revealing fragile relationships between marine organisms, time, and ecosystem balance.
Clay is approached through both hand-making and digital fabrication, examining how material experience shifts across processes. A neurodivergent perspective informs a practice grounded in embodiment, perception, and spatial sensitivity.
Slow, repetitive embroidery becomes a way of tracing time, language, and perception. Rooted in traditional techniques, the work focuses on duration, attention, and the quiet presence of hand-making.
Material transformation is used to examine Indigenous memory and the impact of energy infrastructures on land. Working across sculpture, installation, and performance, the practice repositions landscape as something both constructed and contested.
Geometric patterns observed within the landscape form the basis of an ongoing investigation into distance, memory, and perception. Recent works in ink and blind emboss shift towards a more personal register, reflecting on inherited craft and acts of remembrance.
Stitch extends beyond surface to become both image and structure. Through embroidery, the work navigates the space between textile and fine art, guided by precision and material sensitivity.
Perception and interpersonal dynamics are explored through garments, objects, and temporary forms. Discarded materials are reassembled into minimal compositions that question identity and communication.
Clay is approached as a structural and expressive medium, shaped through casting and experimentation. Mould lines and construction details are left visible, revealing process while addressing environmental concerns embedded in the work.
Wood is treated as both structure and surface, shaped through traditional techniques and experimental processes. Ongoing research into translucent wood investigates how light moves through material and alters its perception.
Colour, surface, and form are central to a body of work developed in coloured porcelain. Digital processes meet hand-finishing, producing objects that move between functional design and sculptural presence.
Spanning art, fashion, and curatorial research, the work engages with speculative futures shaped by technology and environmental change. Performance, media, and narrative are used to examine the shifting position of the human body within these conditions.
Pearls and mother-of-pearl are used to construct jewellery that carries a quiet emotional weight. The work is rooted in careful handcraft, where material becomes a vehicle for personal memory and subtle expression.
Embroidery is approached through both digital and hand processes, examining the relationship between fashion and textile practice. The work explores the tension between tradition and contemporary production.
Colour, form, and composition are drawn from plants, landscapes, and daily surroundings. The work moves between representation and abstraction, using mixed materials to develop a vivid and intuitive visual language.
The body becomes an interface, responding to internal rhythms through sound, visualisation, and biofeedback. Working across textiles, performance, and digital media, the practice explores physiological data as a shared language.
Time and place are approached as something to be recorded rather than fixed. Through image-making and documentation, the work traces how fleeting moments carry wider cultural and social meaning, moving between personal identity and the urban environment.
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