Minjeong Kim
There is a space we inhabit without knowing, the gap between skin and clothes, between what holds and what is held.
We live with it daily, yet it disappears from feeling the moment it becomes familiar. Negative Boundary and Empty Presence are about what we have learned not to feel.
One captures what the body forgets, the invisible space between skin and clothing, made solid, given weight, returned to sensation. The other asks what emptiness does when it is no longer ignored, whether a void, given mass, can reshape the very thing that contains it.
Both works rest on the same belief that absence is never truly absent. That the spaces we overlook are not nothing, they press, they resist, they leave a mark. To make them visible is not to fill them, but to finally feel what was always there.
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