
Jack Lee
All Artists
Blackdot Gallery presents an evolving constellation of artists, each contributing their individual voice across multiple exhibitions. Whether emerging or established, these artists span a variety of media and themes. Across our exhibitions, we aim to foster meaningful encounters with both the work and the creative processes, giving visitors an ongoing glimpse into diverse artistic journeys.
*toooomyng
Tomy Ng (Leong Yin) is a London-based artist working with inflatable latex to explore themes of time, being, and transformation. His practice spans sculpture, installation, and wearable forms, merging material tactility with philosophical abstraction. Tomy views air as a medium for duration—both invisible and structural—giving shape to transient states. Often referencing the body, his works evoke ambiguity between vulnerability and strength. Recent presentations include *Nascent with BAD* at YoungSpace London, *Symbiont at ICA London in collaboration with Untitlab, and *Muscle 01 / *Tire 01 with KARMUEL YOUNG in Los Angeles.
Adityakumar Shrimali
Aditya Shrimali is a London-based designer and founder of Loomlight Designs, pioneering handwoven Braille-integrated fashion that rethinks accessibility through textile craft. His work weaves together craft, emerging technology, and social justice — exploring how clothing can communicate beyond sight, creating new design languages that expand access, agency, and expression. A graduate of London College of Fashion, UAL, he developed India’s first handwoven Braille-integrated clothing collection under the Ministry of Textiles, Government of India, and holds an Indian Design Patent for the Handwoven Braille Saree. His internationally exhibited work has been recognised through the PIEoneer International Alumni of the Year Award 2025.
Alejandra Hermida
Alejandra is a Mexican artist based in London, working primarily with ceramics. Her background in product and interior design deeply informs her practice, shaping a strong interest in materiality, tactile surfaces, and the relationships between objects, space, and humans. Growing up in Mexico fostered a deep fascination with craft, which led her to pursue a Master’s degree in Ceramics at Central Saint Martins, University of the Arts London. She currently works there as a Graduate Teaching Assistant, specialising in clay 3d printing.
Alessia Capra
Alessia Capra was born and raised in Oristano, Sardinia. After earning a diploma in literature, she moved to London at 18 and later graduated with first-class honours in Ceramic Design from Central Saint Martins in 2025. Her practice combines hand-building, wheel-throwing, and sculptural techniques, shaped by a deep curiosity for materials. She explores the relationship between terracotta and porcelain, alongside an ongoing interest in glaze chemistry. A year-long internship at Kevala in Bali further informed her approach. Drawing on her Sardinian roots and global experiences, Alessia reinterprets ancient traditions through a contemporary lens, engaging with themes of heritage, memory, and identity.
Alex Da Costa
Alex is a French-Portuguese photographer and creative with a background in Marketing and Communication across global organizations and ad agencies. His work blends strategic insight with artistic vision, crafting imagery rich in narrative and visual impact. Passionate about fashion, travel, and food, he draws inspiration from diverse cultures and perspectives. Deeply curious and creatively driven, Alex focuses on authentic portraiture that captures raw emotion and truth. From Paris to London and Scandinavia, his lens reveals reality while inviting the imagination to explore.
Alia Wilmot
Alia Wilmot is a London based textile artist whose global upbringing across five continents informs her rich visual language. Her practice centers around horsehair weaving, a deeply personal craft that merges her lifelong connection with horses and her passion for textiles. Through her collection Equus by Alia Memories Weaved, she explores themes of nature, memory, and resilience, creating works that balance tradition and modernity.
Alice Liptrot
Alice Liptrot (b. 1989, Cheshire, UK) is a textile artist currently based on the Kent coast working primarily with punch needle and locally sourced yarn from the Kent marshes. Trained in knitwear design, she spent a decade co-founding a knitwear brand, leading to collaborations within the luxury fashion industry. Her studio practice now centres on contemporary textile artworks that recontextualise traditional techniques. Alice has exhibited nationally and undertaken private and commercial commissions for interior and hospitality spaces. Her work contributes to a wider reconsideration of textiles within contemporary art practice.
Allison Gómez
Allison Gómez is a British-Colombian Leather Goods Designer and Maker based in South London.
Having commenced her field of practice at London College of Fashion, graduating as a Cordwainer, she received notable awards including the Worshipful Company of Curriers Award for Excellence in Leathercraft, The Jimmy Choo Award in Accessories Design, and the Cockpit Arts Make it Award for young entrepreneurs.
Allison is the founder of Ata Sué, a luxury leather goods brand that honours her cultural heritage, seeking to regenerate its wealth through fashion. She also freelances, creating commissioned pieces for London Fashion Week and specialises in Luxury Bespoke Leather Embossing.
Amy Hsu Tzu Chen
Amy Hsu Tzu Chen is a London-based Taiwanese maker, textile artist, and craftivist whose work explores gender issues and female experiences through traditional domestic crafts. She received her MA in Textiles from the Royal College of Art in 2024, and her work has been exhibited in Taiwan and the United Kingdom.
Amy Stevens
Amy Stevens is a Surrey based textile designer and maker whose work explores the wonder of our natural surroundings, fragile details and the interaction of colour and light. Amy blends traditional heritage techniques with experimental ideas and methods to capture fine details in her work utilising all the knowledge from her first-class Textile Design degree and close work with Heritage Mills. With an emphasis on creating beautiful things to enjoy, Amy is still learning and exploring within her craft, finding joy within her practice which she hopes can be absorbed by those who admire her work.
Ana Luisa Braun Rodrigues
Ana Luísa Braun is a Brazilian jewellery artist based in London. She holds an MA in Jewellery Design from Central Saint Martins and an MA in Communication from Université Paris Cité, and trained in Product Design (University of Brasília) and gemology (GIA). Her practice sits at the intersection of traditional Brazilian craft and contemporary jewellery, developed in collaboration with artisan communities. Guided by Brasília’s modernist restraint and Brazil’s biodiversity, she explores how culturally specific materials and methods can redefine luxury through human time, authorship, and ethical relationships. Her professional background includes roles at Balmain and Chanel in Paris.
Anna Diessner
Anna is a German multidisciplinary designer and creative practitioner based in London. She recently completed her MA in Interaction Design at UAL where she developed projects that engage audiences in thought-provoking ways while exploring the intersection of technology, design and society through installations, artefacts and exhibitions.
Her work has been exhibited at Ars Electronica and Science Gallery London, reflecting her interest in speculative design as well as creating digital and physical experiences to challenge perceptions.
Anyi Ji
Anyi Ji earned her BA in Fine Art and Sculpture from Camberwell College of Arts,and set to continue her artistic journey by pursuing an MA in Ceramic & Glass at the Royal College of Art. Her work draws from the quiet power of nature and the spiritual depth of Buddhist philosophy,exploring the impermanence of life through the delicate forms of ceramics.
Ariel Jingyan Zhu
Ariel Jingyan Zhu is a contemporary jewellery artist with five years of experience. After completing her undergraduate studies in Beijing, she is currently pursuing her MA at the Royal College of Art in London. Her practice is grounded in observations of everyday details, combining material sensitivity with research into social behaviours. Working primarily through jewellery, she explores personal and poetic narratives embedded in objects. Her recent project Pearl in the Wall investigates the delicate relationship between domestic space and memory, through a series of wearable and spatial pieces. Ariel’s work is rooted in slowness, craftsmanship, and the quiet presence of overlooked traces.
Ash Pales
Ash Pales create sculptures and functional works in wood. At Yale University (2020) and the Royal College of Art (2023), she completed Bachelor’s and Master’s degrees in architecture, which guided her towards an interest in the physical crafting of objects and spaces. Alongside her studies, she has worked with artists and architects in the US, Europe, and Japan, exploring traditional and contemporary methods of craft at many scales. Originally from the USA, she now lives and works in London, transforming salvaged timber into forms which highlight the spirit of the material and encourage a connection with the natural world.
Atimanyu Vashishth
Atimanyu Vashishth is an artist and architect. He holds a Master of Fine Arts (Distinction) from the Architectural Association (AA) School of Architecture, London, and a Bachelor of Architecture from Sir JJ College of Architecture, Mumbai. He currently serves as Course Master at the AA's Interprofessionals Studio, where he tutors post-graduate students in spatial performance and exhibition-making.
His practice spans devised screen prints, poetry, performance, and film. His performative showcases and screen prints have been exhibited across London, Lisbon, Istanbul, Tivoli, and Delhi. His short film रक़ीब; Raqeeb received an Honorable Mention at the Pollen: Video Spells Avant-Garde Film Festival and was selected as Pick of the Day by Labocine. Atimanyu is also a published poet, and his poems have been published by Bog Bodies Press, Poems India Magazine, Guy Kojak Magazine and several independent literary journals.
Ayaito Marron
Ayaito Marron is a London-based Japanese embroidery artist whose work explores the forms and relationships of marine life. Through hand embroidery, Marron focuses on small organisms, symbiosis, and the subtle connections within ecosystems that often remain unseen. Drawing on natural history imagery, the practice traces delicate relationships across time, species, and environments. Without formal academic training in art, Marron has developed an independent approach grounded in observation and tactile making. The work has been presented primarily through open calls and exhibitions, including solo presentations.
Barbara Stelmachowska
She graduated from the University of Arts in Poznan and the Academy of Fine Arts in Wrocław. Winner of the Haier Design Prize by IF competition, finalist of the international MakeMe! competition. She is the curator of the Craft Lab 3D project and the PlanT exhibition.
Her work is focused on porcelain and pushing its boundaries. She conducts speculative projects and technological experiments, including scanning and 3D printing in ceramics. Her creations are strongly influenced by sustainable, socially engaged design, which was her starting point as her career began. Even when she creates porcelain tableware, her pieces often convey a broader story.
Bocen Zhou
Bocen Zhou is an interdisciplinary artist dedicated to exploring contemporary jewelry design. She holds a BA from Central Saint Martins, University of the Arts London, and an MA from the Royal College of Art. Inspired by literary metaphors, art historical contexts, and ecological philosophy, her practice revolves around symbiotic relationships within the framework of the Anthropocene. Employing an almost archaeological approach, Bocen brings dust, soil, glass, and pebbles into dialogue, constructing a visual epic on the cyclical nature of matter in the universe. Her work invites viewers to reconsider their connections to nature, time, and others through an aesthetic experience. Her work has been recognized with the Cartier Scholarship 2022 at Central Saint Martins, the MullenLowe NOVA Award Runner-up Prize 2023, and the Marzee Graduate Prize 2023.
Caitlin Froud
Caitlin Froud is a ceramicist and storyteller from the small English seaside town of Whitstable, Kent. Guided by a deep connection to her hometown seaside landscape, her material-driven practice explores our connection to place through their local materials and is often accompanied by poetry or prose. Caitlin has experience working as a Studio Technician at Clayspace Studios in Margate and graduated earlier this year from BA Ceramic Design at Central Saint Martins, June 2025
Cement Blanche
Francesca M De Giorgio is a designer working for fashion, performing and visual arts.
Graduated in Fashion Design at Politecnico di Milano, she continued her studies at Central Saint Martins and Domus Academy. In 2014, she started to work as an experimental denimwear designer for Diesel's front line. After several experiences in fashion companies, in 2022 she started to work with Simon Waldvogel (Collettivo Treppenwitz), this collaboration represents a turning point in her journey as a designer also towards contemporary theatre and dance costume/set designer. The year after she won a national contest to participate in a training project at the Cinecittà studios organised by the Italian Association of Set and Costume Designers. She works on independent projects like collages of dyeing samples discarded by fashion companies; minimalist shapeshifter clothing pieces; masks and temporary sculptures under the name Cement Blanche, an artistic research which investigates the ambivalence of perception within interpersonal communication between two or more individuals. (Exhibitions: “NULL ISLAND” curated by Elisabetta Eliotropio 10-16 APRIL ‘26 Roma; “Post-narrative” curated by Elisabetta Eliotropio 05-08 FEB ‘26 Bologna Artcity; “Materiality: The language of Matter” , 29 JAN-02 FEB ‘26 London; “Portraits”, 24-30 JAN ‘26 Torino).
Chaeeun
Chaeeun is a South Korean ceramic artist and designer based in the UK. She holds an MA in Design from Central Saint Martins (2024). Her practice explores the physical possibilities of clay through casting and material experimentation, often merging ceramic and textile languages. She treats mould lines as visual blueprints rather than flaws, revealing structural frameworks and the labour embedded in each form. Her recent Han-ttam Collection addresses environmental concerns, including water inequality and the ecological impact of textile dyeing, creating sculptural vessels that examine resilience and the layered meanings carried by domestic objects.
Chancy Pan
Chancy Pan is a London-based jewellery designer currently studying at the Royal College of Art. Her practice explores the emotional and cultural value embedded in everyday materials, with a focus on waste, repair, and behavioural change. Through material experimentation, she transforms overlooked substances into objects that invite reflection on care, consumption, and attachment.
Cheer Manlekha
“I see myself as an artist, architect, designer, maker, illustrator, photographer, and writer using these roles to express my thoughts and emotions, to be vulnerable, to be true to myself. Together, they shape who I am and how I continue to grow.”
Based in London, Cheer Manlekha is originally from Thailand, yet shaped by many places she calls home. Through familiar, mundane everyday objects, she explores themes of impermanence and personal human experience. Cheer studied Industrial design at Central Saint Martins where she developed her approach involving natural elements, allowing its life cycle to guide the process while minimising human intervention to reflect cycles and transformation of all living things.
Chunyu Chen
Chunyu Chen is a photographer and creative director whose artistic practice is deeply rooted in outdoor exploration. Born and raised in the city, she discovered a transformative connection with nature during a journey to the French Alps—an encounter that reshaped her understanding of self, space, and stillness. Her work captures the quiet grandeur of remote landscapes, using subtle color and emotional depth to reflect an evolving relationship between the human spirit and the natural world.
Cindy Fournier
Self-taught, Cindy Fournier is a Swiss digital collagist and writer, currently based in London (UK), who viscerally explores French and English poetry through dark aesthetics. Awarded the MA Fashion Communication: Fashion Critical Studies at Central Saint Martins in 2017, after studying at the Condé Nast College of Fashion & Design, where she started experimenting with digital photography, Adobe Illustrator and Photoshop to create mixed-media visuals, she launched FOR THE ROMANTICS LEFT ALIVE in March 2023. Cindy exhibited a selection of her artworks in NYC Times Square supported by the Plogix Gallery and at The Holy Art Gallery in London.
Cindy Liu
Cindy Liu comes from backgrounds in architecture and metalsmithing, holding a Master’s and Bachelor’s degree in Architecture. During her academic and professional journey, she has participated in various building and urban regeneration projects, with a focus on sustainable design and material innovation.
Her research interests explore the concept of spatial palimpsest, archival spaces, and the role of the archive in cultural memory. Her work moves between building-scale projects and intimate jewellery explorations. In 2024, she founded Cinque, a studio dedicated to jewellery and object-making as a form of living archive.
CoCo Lemery
CoCo Ree Lemery is a designer, educator, and director of Studio Kloak, working at the intersection of material research, lighting, and sustainability. A Professor of Industrial Design at the University of Illinois and a former corporate designer and US patent examiner, Lemery transforms overlooked waste into expressive objects. Her practice-based research focuses on regenerative material systems, including an ongoing obsession with turning common kitchen discards like onion skins into innovative biomaterials. Through conceptual exhibitions, Lemery challenges our perception of value, transforming everyday waste into sensorial design applications that connect directly to broader environmental systems.
Daisy Brimble
Daisy Brimble is a London based jewellery designer and a 2025 First Class BA Jewellery Design graduate from Central Saint Martins. Her work is materially led, working instinctively and intuitively to materials. With a material design process, she works iteratively, often taking to the bench early to allow for maximum experimentation. Daisy has exhibited work in Galleria Objets, and Vitsœ during Munich Jewellery Week 2023. Additionally, she has collaborated on live projects with Louis Vuitton, Swarovski and a ring design proposal to Solange. Although Daisy’s work aims to push material boundaries, one of her core design principles is ensuring wearability.
Daosheng Han
Daosheng Han (b. 2001, Shandong) is an artist based in Guangzhou and London. He holds a BA in Oil Painting from the Guangzhou Academy of Fine Arts and is pursuing an MA at Chelsea College of Arts. Investigating the intricate dynamics between individuals and communities, his practice spans painting, installation, archives, and moving image. Han received the Xu Qinsong Creation Award Silver Prize (2024) and has exhibited widely internationally, including solo show at the Guangdong Contemporary Art Center,group show at Crypt Gallery. His work addresses individual survival and societal structures.
Daye Kim
Daye Kim is a London-based contemporary jewellery artist whose work explores the emotional and psychological dimensions of human connection. Trained in Arts & Crafts at Sookmyung Women’s University and Jewellery & Metal at the Royal College of Art (MA, 2023), her practice blends traditional metalwork with digital fabrication. Drawing on philosophical inquiry and intimate relationships, she creates wearable sculptures that transcend their functional purpose. Her work has been exhibited at Schmuck 2024, London Craft Week, and Goldsmiths’ exhibitions, and recognised by the Goldsmiths’ Craft & Design Council with Silver and Bronze Awards.
Digital Craft in Architecture
As a research cluster, DCA integrates teaching, research, and design. It is a teaching practice that combines digitalisation, artificial intelligence, and automation with traditional crafts. Its team consisted of researchers, scholars, and designers, architects from the UK, HK, EU.
Its design research results have been featured in Archidaily, Dezeen, Designboom, Architectural Today, Amazing Architecture, Nature, and Parametric architecture
For our cutting-edge and innovative technological outputs and achievements, its students and mentors' works have been invited to participate in the Venice Biennale, G. F Smith Paper City Exhibition, UCL B-Pro show, THU Design Futures · Shared Vision, V&A, HKFYG Exhibition.
Drew Kibler
Drew Kibler is a South Floridian artist based in Savannah, Georgia, working with dimensional textiles and producing design objects for the home. His practice engages domestic interiors, material manipulation, and the histories of the AIDS crisis. Living with HIV, he creates functional art objects informed by his relationship to the body and the sterility of clinical environments.
His ongoing series, Armamentarium, explores the translation of textile qualities into rigid materials, the act of the impression, and dimensional surface treatments.
Eden Frymel
Eden Frymel is a Canadian, London-based designer and maker working across furniture and lighting. She reimagines familiar objects as playful, slightly uncanny presences, using exaggerated posture, texture, colour, and imbalance to shift how we use and relate to the everyday. Exploring sculptural combinations of metal work, paper pulp casting and upholstery, her making process takes her objects on a layered journey through the imaginary into the material. She holds a Master of Design in Furniture from Central Saint Martins, London, and a BA in Architectural Design and Fine Art from the University of Toronto.
Elizabeth Benson
Elizabeth Benson is a material-led sculptural artist based in North Wales. She works with ecological colour, natural fibres and controlled tension to create pieces shaped by slow, geological pressure. Introduced to natural dyeing at a young age, she works with an embodied understanding of ecological colour and material behaviour. Her practice grows from walking, gathering and plant-dyeing, allowing each piece to hold the palette and atmospheric weight of its landscape. She teaches natural dyeing and brushmaking and has shown in a showcase at Ruthin Craft Centre and a regional sculpture trail.
Ella Merriman
Ella Merriman is a London-based artist and designer working with the endangered craft of rush basketry. Her work explores the disconnection between humans and nature, drawing on her fascination with plant-human relationships. She combines rush with found objects from London streets, seeking harmony between urban and rural life. Rooted in slow, tactile processes, her practice is guided by intuition and her materials. A Furniture & Product Design graduate (First Class Honours, 2018), she has exhibited across the UK and Europe. In 2024, she received the Worshipful Company of Basketmakers’ Award and has a studio in London.
Eniko Czigany
Eniko Czigany was born, lives and works in Hungary. Graduated from the Hungarian University of Fine Arts and went on to work for 15 years as an animator at Pannonia Cartoon Studio. During this period, she began studying the man-made geometric patterns observed from a distance in the landscape, which theme has remained the primary source and inspiration for her art ever since. In her most recent body of works painted in ink on blind emboss, she works on a series inspired by very personal motivations that serves as both remembrance and tribute to her grandmother’s handcrafted works.
Estúdio Geo
Estúdio Geo was conceived from the desire to create objects in the market that transcended their basic functionality through essential design, so that they could come as close as possible to being works of art.
Founded by Geovani Baroni, the studio specializes in blending shapes and materials in unexpected ways to bring to life products that capture attention by constructing a unique narrative. The power of nature forms is present throughout the entire collection, with the sinuous serving as the thread that stitches all its pieces together.
Eunice Daniel
Eunice Daniel is a South Indian accessories designer based in London. She holds an MA in Design from Central Saint Martins and a Bachelor’s degree in Leather Design. Her background spans accessories design, product development, and material exploration, with a particular interest in craft, sustainability, and contemporary making. Drawing from her experience in the leather industry, her work reflects an ongoing curiosity about materials, processes, and the relationship between design and everyday objects.
Eunsol Kim
Eunsol Kim is a Korean artist based in the Netherlands, specialising in ceramics to explore the relationship between time and materiality. Her practice integrates a technical foundation from Korea with experimental research from Design Academy Eindhoven. This perspective pushes her to look beyond conventional methods, integrating the physical properties of diverse materials into her work. By challenging the traditional boundaries of the medium through refined craftsmanship and contemporary inquiry, Eunsol establishes a new materiality in the field of modern ceramics.
Evyn Gensurowsky
Evyn is a costume designer and maker currently based in London. Her work focuses on creating a visual language for each character from initial idea to final photograph or performance. After graduating from Wimbledon College of Arts, she has worked on various film and television productions such as The Rings of Power. She is currently focusing on creating her own line of pieces and collaborating with other multidisciplinary artists.
Fei Wu
Fei Wu is a Chinese jewellery artist blending traditional craftsmanship with digital innovation. A graduate of the Royal College of Art, her work explores the poetic interplay between organic textures, 3D technologies, and material contrasts, bridging contemporary and high jewellery through a digital-handmade process.
Flávia Giorgetti
Flavia Giorgetti is the founder of Milk Rabbit, a London-based multidisciplinary studio working across interior architecture and design. Her practice creates experience-led interiors where storytelling, atmosphere and spatial design transform concepts into meaningful and locally grounded environments. With a degree in Architecture from Brazil, and over fourteen years of experience in interiors, her work blends modernist roots, global influences and contemporary design to create environments that feel quietly alive.
Freya Roze
Freya Roze Richmond has always had art, creativity and design at the centre of her life.
Freya Roze was named 'Designers to watch in 2021' by Stella Magazine. Previously has been the Winner of FESPA for 'Future Airport Design of the Future' decking out a trade show in Berlin and Premiere Vision, Paris. Previously Freya’s textiles have been featured in Living Etc, Homes and Interiors, Stella Mag; Sunday Telegraph and English Home Mag.
Prior to this Freya received a First-Class Honour’s degree in Printed Textile Design for Fashion at Brighton University, she went on to work as Head Print & Embroidery Designer for the luxury British Fashion Designer, Richard Quinn for over two years before moving over to the world of interiors.
Fumika Tani
Fumika Tani is a Japanese textile artist based in London. She recently completed an MA in Textile Design at Chelsea College of Arts, UAL. Rooted in the Japanese weaving tradition of Kasuri, her practice explores how textile structures evolve across cultures, materials, and environments. Working with British wool and natural dyes derived from food waste, she investigates sustainability, regional identity, and the continuity of craft. Her work has been recognised with the Woolmen’s Innovation Award and through international exhibitions and publications.
Gene Chen
To summarise my practice in one sentence, "Archiving the flow of time and space" would be the most appropriate.
I graduated from the Royal College of Art's Visual Communication program in 2017, since when I have been always trying to preserve reality by capturing moments in time, forging a profound connection between the present and the past. While initially honing my technical skills, my focus gradually expanded to explore the intricate web of human connections and individual identity at a micro level. As I delved deeper, my gaze shifted toward the urban environment, society, and culture, recognising how these elements shape our values, behaviours, and ways of life. I began documenting cities and streets, and soon realised that true inspiration lay in the raw power of these preserved instants.
Georgia Zhai
Georgia Zhai(b.2001) is a jewellery artist based in London, currently studying at the Royal College of Art. Her practice spans jewellery and moving image, with a focus on how power, identity, and visual control are embedded in clothing systems. Drawing from observations of how uniforms shape the body, she uses metal engraving and folding techniques to reconfigure symbols of authority into forms that embody both resistance and vulnerability. Her ongoing research investigates the visual language of power in wearable objects, aiming to create intimate narratives that question and destabilise dominant social structures through the act of wearing.
Giacomo Bevanati
Based between Manchester and Córdoba, Giacomo Bevanati is an artist specialising in handwoven wire sculpture. With a Bachelor’s in Product Design and a Master’s in Architecture, he combines structural knowledge with a self-taught sewing technique to transform metal wire into ethereal, 3D forms. His work explores visual perception and transparency, ranging from free-standing sculptures to avant-garde wearable masks and jewellery. Bevanati’s work has been shown at Homo Faber, Exempla, and Milan and London Fashion Weeks. His pieces have been featured in AD, Vogue, 10 Magazine, and were worn by celebrity Mette for Metal Magazine.
Giovanni Agostini
Giovanni is a designer specialising in ceramics. Born in Scotland, growing up in several countries and now living and working in and around London he has always been rooted by his family and cultural heritage. After graduating from Chelsea College of Arts his work continues to focus on cultural heritage, the exploration of design and the material uses outside of the taught Eurocentric sphere. By doing so he attempts to re-explore and re-establish himself as a mixed ethnic designer.
Hannah Norris
Hannah Norris is a jewellery artist based in London, UK. She studied a BA in Jewellery and Silversmithing at the University For The Creative Arts. Her practice explores the socio-political through material narratives, with a focus on carved forms. Hannah has exhibited at both Schmuck (2023) and Talente (2024), alongside multiple exhibitions with Precious Collective during Munich Jewellery Week. She was nominated for the Klimt02 New Talents Award in 2022.
Hansel Tai
Hansel Tai is an artist and designer working and residing in Estonia. Hansel’s work focuses on queer culture in the Post-internet Epoch, in which the natural is shadowed by the body cult, deformation, subcultural signs and high gloss metal, and digital voodoo is materialised into fetish objects.
Hantao Zhuang
Hantao Zhuang (b. 2000, China) holds a BA in Oil Painting from Sichuan Fine Arts Institute and is an MFA candidate in Fine Art at Chelsea College of Arts, UAL. His practice centres on identity, urban space, and spatial memory, drawing from cross-cultural living experiences to work across installation, printmaking, and photography. He reinterprets overlooked everyday spaces and the “non-places” of modern life, exploring the fragile bond between individuals and urban environments.
Hanyi Feng
Hanyi Feng is an object and jewellery maker from China, completed her studies in jewellery at the School of Jewellery, Birmingham City University in 2023. She is currently an Artist in Residence at SoJ, based in Birmingham. Hanyi’s work has been showcased at many international jewellery and silversmithing fairs and exhibitions, she has also been selected for Talent – Master of the Future 2025. She works with a variety of materials, fusing different surfaces and textures. Both jewellery and objects serve as embodiments of emotional and behavioural reflections, visualizing the flowing mind and moment.
Haotian Dong & Dexin (Leah) Chen
Haotian and Leah both have a great passion for font design, but each person's focus is different. Haotian excels in creating imaginative and decorative fonts, as well as dynamic visual designs. On the other hand, Leah excels in traditional and legible font design, as well as book layout and typesetting. The two artists complement each other's strengths, combining their areas of expertise to create an experimental font design that is both artistic and readable.
Harshena Kapoor
Harshena Kapoor is an artist and designer working across ceramics, glass, and digital fabrication. Her 3D-printed work explores her dialogical relationship with clay, investigating how somatosensory experience shifts when moving from hand-making to technological processes through a neurodivergent lens. This focus on embodied creativity is supported by a diverse educational background: a BA in Drawing & Painting from OCAD University, a year of architectural studies at the University of Toronto, and an MA in Ceramics & Glass from the Royal College of Art. Together, these experiences inform a practice grounded in material inquiry, spatial sensitivity, and expanded understandings of neurodivergent engagement with craft.
Helena Palmeira
Helena Palmeira is a Brazilian artist and designer whose practice explores the intersections between body, materiality, and cultural identity.
A graduate of Central Saint Martins (MA Design), Helena’s work is grounded in deep material research and an ongoing dialogue with historical, social, and personal narratives.
Through a sculptural and tactile approach, she reimagines objects as mediums of transformation, expression, and connection.
Sustainability, cultural memory, and the reshaping of form are at the core of her process, often working with responsibly sourced materials such as reclaimed woods, botanical elements, fairmined gemstones, and recycled metals.
Hyunah Koh
Hyunah Koh is a Korean interdisciplinary artist based in London. Working primarily in painting, she expands the medium through material exploration, spatial engagement, and mixed reality. Koh’s practice explores what painting can become through sensory interaction and ecological connection. Her work dissolves boundaries between the physical and digital, surface and experience, inviting viewers to go through and beyond the painting. While expansive in form, her practice also narrows into focused pathways, drawing attention inward and deepening the viewer’s encounter with the painted surface. She recently presented her graduation show at the Royal College of Art and participated in Touch Grass, a group exhibition with Chili Art Project at Chili Gallery.
Ilamon Thangkhiew
Ilamon is a London - India based textile Designer and maker graduated from the Royal College of Art, London. She has exhibited internationally at Heimtextil, Germany, The National Museum, New Delhi, London Craft week and New Designers Selects.
With a passion for interiors, she creates textiles for private and commercial spaces through tactility, narrative, and artistry. Her work explores the relationship between craft heritage and contemporary design.
She also collaborates with weaving communities in Meghalaya, India, supporting the preservation of traditional skills. Her work has been exhibited at Handmade in Britain, Chelsea and she was awarded the Tradition and Storytelling Award by House Directory.
Irene Huang
Irene Huang is a London-based designer maker with a background in design and architecture. She works primarily with wood and ceramics, designing and making each piece herself. Her practice combines structural thinking with hands-on craft, often using reclaimed and offcut materials. By integrating ceramic elements into wooden furniture, she explores how strength, fragility, and adaptability can exist within the same object. Her work reflects an interest in low-waste making, modularity, and the ways everyday furniture can feel personal, playful, and quietly considered.
Jack Lee
Jack Lee, a multi-disciplinary designer and artist from Taiwan, specialises in creating interactive experiences through technology art. Throughout his academic journey, he studied various specialisations at schools from Taipei (Taiwan), Brno (Czechia) to London (UK). These diverse experiences helped shape his multidisciplinary background. His areas of expertise include Product Design, Digital Art, and Physical Computing.
Jacob Walls
Jacob Walls is a London-based, research-led artist and designer working across sculpture, furniture, and spatial design. Trained in fine art and furniture making, his practice translates methodologies from fashion material research into experimental object-making, exploring how tactile systems respond to the body and how form carries emotional and sensorial experience. Working with reclaimed foam, metal structures, and thermochromic dyeing techniques, he produces responsive works that reveal touch, heat, and presence. He is founder of 82archivestreet, curator of the Hybrid Landscapes exhibition, with art objects represented by 88GalleryLondon, positioning his work within contemporary international design culture today.
Jacqueline Baker
South African designer, Jacqueline Baker, explores the multiplicity of stained glass and how light and colour can transform our daily living spaces.
Taking from her background in Fine Art and Landscape Architecture she creates handcrafted pieces that transform space while maintaining the tradition of stained glass craftsmanship.
Inspired by modern form, she merges the nostalgia of coloured glass into the everyday, inviting the viewer to explore the relationship between materiality, colour, form and emotion through each design.
Jeanne François
Jeanne François (b.1999) is a french ceramist and sculptor whose work revolves around wild clays and the exploration of the land. After briefly studying literature, she obtained a BA in Object design and Ceramics in Paris, followed by a 2-year MA in Ceramics & Glass at the Royal College of Art, London. She now lives and works in Paris.
Alongside her own digging trips, she has worked alongside collectives such as ECT and Golden Earth, to reclaim excavated soils in her ceramics. She's taken her exploration of the land throughout several residencies and has been exploring wood firings in Oxford university kilns.
Jemma Slade
Graduating from Central St Martins in 2008, I worked for luxury jewellery brand Solange Azagury-Partridge for a number of years, before returning home to Wales to teach secondary Art & Design, start a family, and develop a bespoke jewellery business of my own. After working in traditional fine materials as a bespoke goldsmith for almost a decade, I desired an injection of new energy. Now, fuelled by a recent MA in Jewellery & Metal at the RCA, my practice is currently primarily focusing on the exploration and communication of my own personal Matrescence.
Jes Chen
Jes Chen is a London-based interdisciplinary artist and spatial designer. With a background in architecture and a master’s training in narrative environments, her practice explores the intersection of fiction and space. She works across digital collage, installation, and interactive media to examine institutional power, collective memory, and the emotional economy. Jes currently works as a designer at an architecture studio while actively developing her independent artistic practice.
Jessica Sunna
Jessica Sunna Gate is a ceramic artist based in South London, recently completing a degree in (BA) Ceramic Design at Central Saint Martins.
With a deep appreciation and credit to the wheel, Jess places importance in creating a sense of narrative through thrown forms, allowing a personal interpretation unique to each viewer.
Having a background in illustration, sketching and designs are a key part of her making process, placing great attention on curves and proportions.
Jiani Gu
Jiani Gu is an interdisciplinary artist based between Hangzhou and London, working across jewelry, objects, and moving image. She holds a BA from the China Academy of Art and is currently studying at the Royal College of Art. Her practice often begins with small, everyday items, constructing narratives that shift between the absurd, the satirical, and the poetic. Through this, she questions the structures of artistic discourse and reflects on the power dynamics embedded in language itself. Her current research focuses on how text and meaning are generated, with particular interest in the entropy and slippages of language within cross-cultural contexts.
Jianqiang Xia
Jianqiang (Vincent) Xia is a ceramicist, architect, and interdisciplinary artist based in London. He graduated in Architecture from the Royal College of Art, London, where he developed an interest in the intersections of spatial practice, materiality, and artistic experimentation. Drawing on architectural thinking, his practice expands into ceramics as a medium to explore space, structure, and tactility. His work investigates the dialogue between form and void, structure and fragility, and discipline and chance. His works have been presented in the UK, Qatar, Japan, and China.
Jiaqi Liao
Jiaqi Liao (b. China) is a London-based visual artist whose work explores materiality, subconscious experience, and the human body. With a background in fashion design from Parsons School of Design and an MA from the Royal College of Art, she merges sculpture, textile manipulation, and conceptual research to challenge traditional fashion paradigms. Her work has been featured at London Fashion Week, Beijing Fashion Week, independent publications such as M-A, and exhibited in galleries across London.
Jimin Lee
Jimin Lee is a multidisciplinary artist based in London and Seoul. Trained in Fine Art at Central Saint Martins and Fashion Media at London College of Fashion, her work explores memory, time, and emotional landscapes using layered materials like Hanji (Korean paper), sand, and pigment. She blends tactile textures with visual storytelling and creates quiet reflections on impermanence and coexistence. Her practice includes installation, photography, and moving image, focusing on how art can engage everyday spaces and connect personal and collective histories across generations.
Jingya Yang
Jingya Yang is a jewellery designer working with jade through a contemporary, material-led approach. Born into a family of jade carvers, she was raised within traditional craftsmanship, which continues to inform her practice. While studying Contemporary Jewellery in the UK, she began to re-examine jade beyond its conventional aesthetics. Her work focuses on translating the material's inherent qualities into a contemporary design language, exploring how jade can be understood and experienced outside of its established cultural associations.
Josh Ling
Josh Ling is an emerging designer and maker based in East London. Having originally studied Aerospace Engineering, he developed his skill as a maker training at the Sylva Wood School and working for several high-end furniture makers.
He focuses predominantly on the use of British timbers in furniture making and has recently undertaken a residency at Somerset House. At the end of the residency he unveiled his newest collection, Increase The Noise, developed out of industry research into the use of British hardwood Glulam beams within construction.
Jundan Chen
Jundan Chen (b.1998) is a London-based multimedia artist exploring materiality, memory, and transformation through textiles, glass, and metal. A graduate of the Royal College of Art, she founded X.salis Studio in 2023. Her work has been exhibited in leading London galleries including Purist Gallery, and ArtSect Gallery, and has participated in major group exhibitions such as the London Design Festival at Surge Chapter. Her work has been featured in international and industry publications including 1883 Magazine and Schön Magazine.
Kai Hsuan Chang
Kai-Hsuan Chang is a Paiwan Indigenous artist from Taiwan, currently based in London and completing an MA Fine Art at Chelsea College of Arts, University of the Arts London. Working across sculpture, installation, moving image, and performance, his practice explores material boundaries and Indigenous memory. Through handcrafted processes, he re-tribalises transformed landscapes, examining how energy infrastructures reshape land and memory. His work has been exhibited across international independent and institutional platforms, and continues to develop through research-led and process-based experimentation.
Kana Umeda
After finishing university, she started to learn glassblowing, glass casting, and then lampworking, the technique used to make her jewellery pieces. Without having a proper jewellery-making education, she taught herself to be a jewellery artist and launched her own label _cthruit in 2008 in Tokyo.
Karl B
Karl B is a London-based artist and jewellery designer whose practice explores the shifting relationship between craftsmanship, technology and value in contemporary material culture. Working across jewellery and collectable objects, he combines industrial processes, alternative materials and hand intervention to investigate how ideas of perfection are changing in an age of machine precision.
Drawing inspiration from engineering structures, titanium implants, brutalist architecture and post-industrial environments, Karl creates objects that exist between technical control and human presence. His work often juxtaposes highly engineered forms with textured, altered or deliberately disrupted surfaces, challenging conventional associations of luxury with flawless finish and material preciousness.
A graduate of MA Design: Jewellery at Central Saint Martins, Karl's practice operates between contemporary jewellery, collectable design and critical luxury, creating pieces that are intended not only to be collected, but also worn, repaired and valued through use.
Kelly Cruz Gonzalez
Kelly Cruz Gonzalez is a Peruvian furniture designer based in London. With a background in architecture and an MA in Design: Ceramics, Furniture and Jewellery from Central Saint Martins, her practice explores the relationship between furniture, architecture and cultural memory. Drawing from her experience of migration between Peru, New York and London, she translates recalled city landscapes into sculptural domestic objects. Through drawing, model-making and wood-based construction, her work investigates fragility, form and the emotional narratives embedded in the spaces we inhabit, store and remember.
Kelly Fung
Kelly Fung is an interdisciplinary maker. Exploring sculpture, object design and jewellery. Kelly works with materials, objects, images and installation to reconstruct fragmented memory. She completed an MA at the Royal College of Art in Jewellery & Metal in 2018, and in 2015 she received a BFA from The School of Art Institute of Chicago, with a speciality in sculpture.
Kinga Olah
Kinga Olah is a London-based jewellery artist. Trained as a goldsmith in Budapest, Hungary, she further expanded her practice through the MA in Jewellery & Metal at the Royal College of Art. Her work is exhibited internationally, presenting perceptual pieces that explore the dialogue between the body and the object.
Notable accolades include the Venice Design Week Award (2024) and the Goldsmiths’ Craft & Design Council Awards (2025). Exhibition highlights include the Contemporary Goldsmithing Exhibition at Madrid Design Festival, Venice Design Week, Romanian Jewellery Week, Cluster Contemporary Jewellery, Inflow Expo, Autor Contemporary Jewelry Fair, and Munich Jewellery Week.
Kong Qianyang
Kong Qianyang (b. 1998, Ningbo) is a London-based Chinese artist whose works span across sculpture, photography, poem and textile. She has been living in the UK since 2017. From 2017 to 2020, she studied Knitwear for Fashion at the Winchester School of Art, University of Southampton. After moving to London in 2021, she pursued and received a Master’s degree in Textiles at the Royal College of Art in 2023.
Kuan Yu Chou
Kuan-Yu Chou (b. 2001, Tainan, Taiwan) is an artist based in London, currently pursuing an MA in Art and Science at Central Saint Martins, University of the Arts London. She holds a BA in Fine Arts from Tunghai University, Taiwan. Her practice spans painting, installation, and photography. She has exhibited widely across Taiwan, including solo shows in Taichung (2022–2023) and group exhibitions in Taipei, and in the UK, with recent presentations in London and Glasgow (2025). Her work has been featured in Al-Tiba9 Contemporary Art, IOAEA, AATONAU and other international publications.
Kyubin Hur
Kyubin Hur is a visual communicator based in London and Daegu, specialising in editorial, branding, and conceptual design. As a visual communicator, Kyubin strives to bridge the gap between artistic practice and the audience by incorporating logic into his work, ensuring intuitive understanding of the results. He finds satisfaction in effectively conveying his intentions and the content of his work to the audience.
L0re
L0re is a multidisciplinary artist based in London, with over ten years of experience working as a set designer and prop maker for photography and film. He studied Fine Art at Goldsmiths and later completed an MA in Jewellery and Metal at the Royal College of Art.
L0re’s mixed media practice explores ‘reality’ as a composite of timelines, streams, and feeds; sequential frames drawn from digital, physical, and cognitive realms. Engaging with the architectures of non-linear narrative, how stories are spatialised, mapped, and prompted by the mechanics of interaction and play.
Laetitzia Campbell
Laetitzia Campbell is a British-French artist based in London. She studied at the Gerrit Rietveld Academie (BA) and the Institut Français de la Mode (MA), and worked for four years in the luxury industry in embroidery before returning to her own art practice.
She explores what she calls “second-hand memories”: emotions passed down through objects, stories, and gestures, and the quiet ways we try to hold onto them.
Lami Textiles by Poulami
Poulami is a textile and material designer whose practice moves between craft, biodesign, and cultural storytelling. Coming from a background in luxury fashion and couture, her work has gradually shifted towards understanding how materials perform, behave, and carry meaning. She is drawn to what is routinely discarded — organic waste, everyday by-products, materials that hold traces of labour, culture, and memory. Working with biomatter and natural processes, she develops material systems that sit between craft and experimentation, shaped by her upbringing in Bengal. Her practice reflects on the relationship between people, food, and environment, questioning how design can respond to existing material cycles rather than producing new ones.
Laxy
Lanxin Zhang is a Chinese contemporary jewelry artist currently based in Birmingham, UK. She graduated from the School of Jewellery at Birmingham City University. By integrating jewelry into daily rituals, she interrogates the social dimensions of the body activity. Zhang’s work involves the fields of behavioral and body science, exploring new ways for wearers to interact with the objects they adorn, and bringing beauty into creations.
Layla Yuanxing Lin
Layla Yuanxing Lin is a London-based metal artist whose work is defined by an innovative approach to wire-working. After completing her studies at Central Saint Martins and the Royal College of Art, Layla has focused on developing a distinctive body of work centered around woven wires. Her artistry is deeply rooted in her ongoing exploration of women’s craft traditions which serve as the foundation for her creations.
Lena Heinrich
Lena Heinrich is a Berlin-based multidisciplinary artist, designer, and environmental engineer. She trained in heritage millinery before studying water and environmental engineering in the UK, building an international career in the water sector. Alongside, she developed her craft and design practice. In 2019, she founded a design studio in Johannesburg, shifting to material-led work. After returning to Europe, she completed a further Master of Advanced Studies in craftsmanship-focused product design at ECAL, Lausanne. Her work appears in publications such as Vogue Italia, Le Temps, and House&Leisure. In 2026, she received the Ruskin Mill Trust Prize for functional art.
Lengling Bai
Lengling Bai (b.1999, Chongqing, China) is a contemporary jewellery and materials artist based between London and China. She holds a BA in Jewellery Design from China University of Geosciences and is pursuing an MA in Design (Ceramics, Furniture, Jewellery) at Central Saint Martins, London. Her practice explores the relationship between the body, curves, and large-scale wearable pieces through sustainable materials and traditional craft. Her work has been collected by her undergraduate university, featured in the 2023 Beijing International Contemporary Jewellery Exhibition, and continues with her ongoing project Shimmer Ripple, inspired by sunlight ripples on water.
Lin Dong
Clouds Lin is a Chinese artist, designer based in London. The exploration of life around him through painting has been going on since his childhood, focusing on the exploration of primitive art and modern development, including ancient Chinese figurines, Miao culture, Dunhuang murals and modern surrealist art. During his undergraduate study in London, he used fashion as a 3d medium to show 2d paintings , so as to explore more possibilities of art and the current society. After living in Paris for six months during the epidemic period, he was deeply affected by the local culture and decided to return to painting itself, studying the relationship between personal identity and collective society, using his own experience as the source. His current painting is based on the consciousness of the daily accumulation of draft materials through the painting expression to continue to explore the primitive human emotions behind it.
His painting, projects, design works are presented in London, Shanghai, Beijing, Guiyang, and he has a degree in BA Fashion Central Saint Martins, Art and Design foundation in South Essex college.
Luna Xue
Luna is a versatile visual artist whose practice spans painting, installation, 3D art, and bookmaking. With a background in illustration and extensive experience in the arts, her work explores themes of female identity, intergenerational trauma in Asian families, and sexual violence. Central to her practice is the act of storytelling—both as a deeply personal East Asian experience and as a bridge for cross-cultural communication. Blending traditional techniques with contemporary perspectives, Luna creates powerful visual narratives that seek to form profound emotional connections with viewers.
Magdalena Lysiak
Visual artist, designer, craftswoman, independent lecturer and researcher, PhD in Fine Arts, MA in Ceramic Art&Design. Focused on her concept of “Meaningful Glaze”, pushing its boundaries beyond aesthetics, towards deeper meaning. She works mainly with ash and natural glazes, investigating ontology of things, after their transformation from organic to inorganic form. Based in Warsaw, Poland
Mair Edwards Williams
Mair is a London-based concept jewellery designer. Her work explores where heritage intertwines with craft, using jewellery as a vessel for showcasing her affinity with making and design. She recently graduated from Central Saint Martins where she studied BA Jewellery Design. She has been exhibited at Vitsoe Gallery for Munich Jewellery Week, she collaborated with Swarovski and exhibited the work at SEASON Gallery, London. She also co-designed and made with CHRISHABANA a headpiece which was worn at the Met Gala, whilst completing her Diploma in Professional Studies in New York.
Makila Nsika
Makila Nsika is a jewellery designer deeply connected to the artistic traditions of the Republic of Congo. With a Master’s in French Literature from Sorbonne and an MA in Design from Central Saint Martins, she explores the intersection of storytelling, material innovation, and contemporary luxury. In 2020, she founded M.Kala, reinterpreting Congolese craftsmanship through modern design. Her work has been multi-awarded. Through M.Kala, Makila Nsika’s research-driven practice explores the convergence of traditional and modern techniques with contemporary aesthetics, contributing to the broader discourse on craft preservation.
Marcus and Esme
Esme has recently graduated from the University of Bristol with a degree in Engineering Mathematics. While studying she has explored how one can build small scale non-commercial A.I. systems for ethical uses such as locating attacks in war zones. Esme is interested in confronting the notion that these systems are inaccessible and out of our control and wishes to align this technology with more socially conscious aims.
While studying Art and Design BA at the University of Leeds, Marcus has become interested in speculative design practice as a way to rethink relationships with the more-than-human world. These projects are materially driven by wood, aiming to investigate how its associated crafts may play a part in building a more ecologically conscious world.
Maria Stella Lydaki
Maria Stella is a London-based multidisciplinary artist, born in 1996 and of Greek origin. She graduated from the Gerrit Rietveld Academie in Amsterdam, Netherlands, with a Bachelor of Arts in Art and Design from the Jewellery Linking Bodies department in 2022. Her creative practice encompasses sculptures, performances, public interventions, photography, art-video installations, writing, and publications. As an artist, she explores the ancient ritual of lamentation within contemporary art, the use of language as a material, the interplay between inner and outer realms, the contrast of dark and light, the concept of gentleness, cultural and natural preservation, the world soul, and the power of fairytales.
Her work has been exhibited both nationally and internationally. This includes showings at Munich Jewellery Week in 2023 (Munich, Germany), OBSESSED! Jewellery Festival in 2023 and 2019 (Amsterdam, Netherlands), St Augustine's Tower Hackney in 2024 (London, UK), Fashion For Good in 2023 (Amsterdam, Netherlands), London Craft Week in 2023 (London, UK), Huygens' Hofwijck in 2022 (Voorburg, Netherlands), and Cluster Photography & Print Fair in 2022 (Oxo Tower, London, UK).
Megumi Ohata
Megumi Ohata is a London-based interdisciplinary and special effects artist of Japanese heritage with mixed Korean background. Renowned for innovative wearable sculptures using artificial skin imprinted with their own textures, Ohata earned an MA with Distinction from the Royal College of Art in 2023. Their work has been shown at Tate Modern, Cromwell Place, and HSBC HQ, and is held in the Adamovskiy Foundation collection. Ohata was a finalist for the 2024 Ingram Prize, a member of the Royal Society of Sculptors, and a Highly Commended Artist in the Winter 2025 Homiens Art Prize, marking their unique position in contemporary art.
Mengying Yang
Mengying Yang (b. China, based in Beijing) holds an MA in Graphic Design Communication from the University of the Arts London. Her practice explores the fluidity and ruptures of "situated identity," examining the relationships between individuals, collectives, and systemic structures. Spanning experimental moving image and performance, her work has been exhibited at the Saatchi Gallery and the Cultural Palace of Nationalities, and published in Aesthetica Magazine.
Miki Asai
Miki Asai’s jewellery is inspired by intangible and those fleeting and changeable phenomena, and how this portrays the nature of everything in the world. Her aesthetics and concept are strongly based on her Japanese aesthetic which finds beauty in impermanence, imperfection, transience and ephemerality.
Mingxuan Ma
Mingxuan is a London-based jewellery designer from Beijing, graduated from the London College of Fashion, University of the Arts London. Her work explores the psychological tension and emotional intimacy between individuals and environments. Shaped by her academic background in fine art, she approaches jewellery not merely as adornment, but as a wearable installations that navigate the space between personal emotion and collective urban identity.
Minjeong Kim
Minjeong Kim is a London-based jewellery artist whose practice spans jewellery and body-related installations. She holds an MA in Jewellery and Metal from the Royal College of Art, and a BFA in Ceramic Art from Seoul National University of Science & Technology. Her work has been exhibited internationally, with multiple participations in Munich Jewellery Week, the 2025 Beijing International Jewellery Art Exhibition, the Romanian Jewelry Week, and the London Design Festival. Her practice investigates the imperceptible spaces between body and object, exploring sensation, absence, and the boundaries we have learned not to feel.
Mirit Weinstock
Mirit Weinstock is a multimedia visual artist, fashion and jewelry designer, Ikebana and floral artist, practicing Washi (Japanese paper) art and ceramics. Founder and creative director of the handcrafted luxury brand Mirit Weinstock Jewelry. Based in Japan.
In her work, Mirit explores time and duration: the dialogue between time, nature, space, the cycles of life, and crafts that fold years of creation within them.
For Mirit, crafts, art, and jewelry inspire one another, resulting in a body of work that explores the traditional-contemporary continuum.
Mitakshara Chaudhary
Mitakshara Chaudhary is India and London based artist working with the intersection of glass, ceramics, and architecture. She holds a Master’s degree in Ceramics & Glass from the Royal College of Art and a Bachelor’s degree in Architecture from Mumbai, India. Mitakshara’s practice is driven by her fascination with materiality, form, and the balance between tradition and continuous experimentation. She creates hand blown glass pieces that explore texture, transparency, and organic forms. She aims to evoke a sense of clarity and depth, where every element has a purpose and balance. Her work was recently exhibited at the Future Icons Selects, London Craft Week 2026, The Other Art Fair 2025, Green Stone Gallery 2025, and Bermondsey Project Space 2023, among others. Mitakshara blends precise forms with organic materials, exploring spaces through tactile design that translates physical reality and subjective perception into sculptural vessels celebrating materiality, form, and experience.
Miyuki Guo
Miyuki Guo is a Chinese Canadian artist based between London and Shanghai. Her multidisciplinary practice explores the relationship between material and immaterial realms through glass, clay, and metal. Blending intuitive making with philosophical inquiry, she investigates duality, transformation, and the space between presence and absence. Her sculptural works act as both visual diary and material experiment. With a background in fashion design, media, and education, her approach remains fluid and research-driven. Miyuki holds a BFA from Parsons School of Design and recently graduated with an MA in Ceramics & Glass from the Royal College of Art in London.
Murtz
‘Sonder’, the idea that everyone lives a life just as vivid as one’s own, touches on looking to others for approval and the social value of fitting in (nobody is thinking about you, they’re thinking about themselves). Through sonder we are freed from what others think of us, providing a sense of comfort/safety - ultimately leading to a sense of belonging, as we find a home in the comfort sonder provides.
Nao Nagamura
Nao Nagamura is a London-based textile artist working primarily with hand embroidery. Trained at the Royal School of Needlework, her practice investigates the relationship between language and perception, time, and material through slow, repetitive processes. Rooted in traditional techniques and natural materials, her work explores duration, attention, and the quiet presence of hand-making. She has contributed to the Coronation work within the Embroidery Studio at the Royal School of Needlework. She is the founder of Goodness Makes, an ongoing project connecting art, care, and sustainability.
Neve Neill
Growing up between London and the Isle of Wight, Neve Beill has long been captivated by the tactile qualities of the island’s clay. Early experiences playing with local clays have left a lasting impression, shaping her practice today. She is influenced by found objects, letting these inform her work. Her approach weaves together exploration, material innovation, and historical discovery.
With a background in design and formative years spent studying at Fine Arts College, Neve brings both a conceptual and artistic approach to her practice. Her work has been featured in publications and she has been involved in numerous group exhibitions.
Ping Chen
Ping Chen is a London-based fashion designer and textile artist from South China, with a design background from Goldsmiths, University of London. His practice explores body, identity, and memory through experimental garment construction and textile-based research. His project Thing in Itself was selected for the London Design Festival 2025, and he is the recipient of the Christine Risley Award 2025. Ping has exhibited in London (UK), Shenzhen and Beijing (CN), with features in Horizont Magazine and an upcoming solo exhibition at the Constance Howard Gallery, curated by Selvedge Magazine as part of London Textiles Month 2025.
Projects by LL
Project by LL are a London and Taipei-based design and engineering duo with over ten years of individual training and experience in industrial design and mechanical engineering. Their artistic focus centers on functional objects and spatial experiences, with a diverse portfolio that includes commercial electronics, stationery, and exhibition designs. Combining rigorous technical execution with innovative concept development, they have contributed to multiple international award-winning products and successfully launched several highly acclaimed crowdfunded projects.
Qing Duan
Qing Duan is a London-based spatial designer and interior architect working across space, installation, and visual narrative. Her practice investigates how spatial design can bridge scales, stories, and systems-from the collective conditions of human life to the intimate connections between psychological and physical space.
With a focus on reusing and reinterpreting existing structures, Qing often engages with overlooked corners, thresholds, and soft enclosures. Her projects combine material experimentation with quiet observation, creating environments that are intimate, layered, and responsive.
She holds a Master's degree from the Royal College of Art and continues to explore how spatial storytelling can offer alternative ways of inhabiting the world.
Rachel Ruiyi Wang
Ruiyi Wang is a Shanghainese artist and maker based in London. Her artistic practice is characterised by innovation, humour, and a profound fascination with everyday objects. Motivated by a persistent interest in applied art, Ruiyi completed her BA in Jewellery Design at Central Saint Martins and MA in Jewellery and Metal at the Royal College of Art, before pursuing her silversmith training at Bishopsland. Her experiences also include working on fashion jewellery for designer brands in Shanghai and exhibiting her contemporary artwork in London, Chicago, Porto and Munich.
Ransom Sutton
Ransom Sutton is an African American and Afro-Caribbean designer and artist based in London, working across product design, functional art, and interior design. Her practice focuses on narrative-led objects that merge function, materiality, and expressive form, exploring how crafted pieces can exist as both usable objects and cultural artefacts. With an MA in Product Design from the Royal College of Art and a BFA in Interior Design from the New York School of Interior Design, her work is shaped by a strong curatorial and material sensibility rooted in both London and New York.
Riolab Ceramics
Riolab Ceramics is a London-based design studio founded by Chilean industrial designer Paulina Moreno Rios. With a background in Industrial Design, the studio explores the intersection of digital technologies and traditional craft, creating contemporary ceramic pieces that are both sculptural and functional. Working primarily with coloured porcelain, Paulina develops objects that celebrate form, texture, and colour through slip-casting and hand-finishing. Her work has been exhibited internationally, including Milan Design Week, and featured in ELLE Decoration NL. Each piece reflects a balance of experimentation and artisanal craftsmanship, inviting viewers to appreciate the care, process, and individuality behind the work.
Rosie May
Rosie May is a British ceramic designer working at the intersection of craft and contemporary lighting design. Based in Essex, she develops sculptural lighting as collectible design objects from her studio.
Porcelain remains central to her work for its translucency, allowing the light to be softened and shaped through the body of the material. Using slipcasting techniques, she develops forms that allow precise manipulation of wall thickness and surface to influence the diffusion of light.
Rosie graduated in Ceramic Design from Central Saint Martins in 2025. Since graduating, her work has been exhibited in London and featured in Architectural Digest. She is currently expanding her practice into a cohesive collection of studio-made lighting for contemporary homes.
Ryan Tepper
Ryan is a California born - London based ceramic artist exploring the intersection of digital fabrication and ceramic craft. He creates modular, tactile clay landscapes that champion the maker’s hand and invite play. He holds a degree in Mechanical Engineering and has previously worked at Ford, Tesla, and Google. In 2008 he started throwing stoneware vessels and since has travelled around the world to participate in various throwing workshops. In 2024 he decided to leave his engineering career to pursue an MA in Ceramics and Glass at the Royal College of Art supported by The Deputy Vice-Chancellor’s International Scholarship.
Salman Salad
This collection explores the creative potential of upcycling through the transformation of discarded ironing boards into playful, functional chairs. By recontextualising a domestic object associated with routine and labour, the project invites a shift in perspective turning something overlooked into a site of imagination and utility. Bright colours and bold forms are used to emphasise play, joy, and new possibilities, challenging our assumptions about value, purpose, and everyday design. Each piece celebrates resourcefulness and spontaneity while questioning traditional ideas of function, material worth, and beauty within domestic spaces. The work aims to spark conversation around sustainability, creativity, and the hidden potential in what we often throw away.
Samriddhi Tiwari
Samriddhi Tiwari is a contemporary jewellery designer from India, whose design language leans towards merging the ethics and values of traditional techniques with modern technology to create wearable sculptural forms.
Her passion lies in exploring the space between culture, heritage, and contemporary sensibilities, while also focusing on aspects of sustainability and ethical production.
Samriddhi draws significant inspiration from her Indian heritage and considers it a crucial part of shaping her interest and values in design. She completed her Master's degree at Central Saint Martins, University of the Arts London, and is currently working as a jewellery designer based in London.
Sanika Divekar
Sanika Divekar is an architect and ceramicist based in Bath, UK. Originally from Mumbai, her practice is deeply influenced by the city’s dynamic urban landscape and her Indian heritage. Her work explores the intersection of material memory, environmental transformation, and human impact, often using clay as a narrative tool. She works with wild clay, foraged matter, and industrial waste, creating ceramic vessels that reflect the tension between permanence and impermanence. Sanika’s work blends traditional forms with contemporary concerns, encouraging reflection on the evolving relationship between people, materials, and the Earth.
Sarah Drew
Sarah is a self-taught jeweller, making contemporary jewellery from found objects combined with sustainable semi-precious stones, eco-silver, recycled gold and re-purposed brass for 25 years.
She lives in St Austell, Cornwall where she spends as much time as possible outdoors on local beaches, reclaimed clay pits and in the woods with her family and dogs collecting beach plastic, sea-glass, driftwood, ghost-net, twigs and rusty metal.
Sarah’s work has been exhibited in Europe, at Autor in Bucharest, Schmuck in Munich, as well as Brussels and Milan jewellery weeks. She teaches jewellery-making in Cornwall and at West Dean College; she’s co-lead of ACJ Cornwall and co-founder of Terramater Art.
Sebastián Alarcón
Sebastián is a designer based in Quito, Ecuador. After completing a Higher Degree in Industrial Design in Barcelona in 2023, he returned to his hometown to develop a hands-on, material-driven practice. Influenced by his self-taught engineer father and his mother’s creative handmade work, he formed a strong connection to making. His work reflects a deep curiosity about materials, everyday objects, and their underlying processes. Through experimentation and research, he combines traditional and contemporary methods with a focus on sustainability and resourcefulness. His objects are bold yet functional, blending form and utility through intuitive making and iterative development.
Seobin Hong
Seobin Hong is a visual communicator based between Seoul and London, currently studying BA(Hons) Graphic Communication Design at UAL. His work explores the tension between structure and emotion, often navigating themes of vulnerability, identity, and cultural hybridity. Rooted in objective visual systems developed in Seoul and enriched by subjective, intuitive approaches in London, his practice bridges design and personal narrative. Seobin’s process values poetic clarity, experimental methods, and self-taught instincts that question conventional design boundaries.
Seongmin Kim
Seongmin Kim’s artistic practice combines emotion, narrative, and craftsmanship, redefining contemporary jewellery as a form of storytelling. Her Motherly Love collection, central to her artistic identity, explores "parasite harmony" through the mother-child relationship. By using pearls and mother-of-pearl, she symbolizes resilience, protection, and growth, representing the coexistence of care and development.
Seren Cheng
Seren Cheng is a London-based jewellery artist currently studying MA Jewellery & Metal at the Royal College of Art, having graduated with First-Class Honours from London College of Fashion.
Her practice centres on how matter can be read and translated in a relational way. Through
making, she explores the narrative qualities inherent in materials, and how crafted forms
participate in reshaping perception and experience. Her current research examines how jewellery can contribute to a direct and accessible form of artistic expression, using simple forms to communicate effectively with people.
Seungjoo Mun
Seungjoo Mun is a Korean-born, UK-based jewellery artist working at the intersection of sculptural form and wearable object. A persistent curiosity about hidden structures drives her practice: the internal logic of how things are made, broken, and transformed, and what these processes expose about the nature of objects themselves.
A graduate of Birmingham City University's School of Jewellery and current Artist in Residence (2025–2026), her work has been recognised internationally, including as a Finalist in the Progold 3D DfAM Contest 2026. Through material experimentation, Mun redefines jewellery as a structural inquiry made wearable.
Seven
I hail from a background rooted in interior design, my artistic journey having unfolded within the bustling heart of Shanghai, a global fashion hub. Over the course of a decade, I have immersed myself in the world of space art design. My pursuit, however, extends beyond these boundaries; it delves into the intricate interplay of fashion, design, and art.
Severina Seidl
Severina Seidl is a German, award-winning artist and hand embroiderer who pushes the boundaries between embroidery and fine art. She studied fashion design in Germany before pursuing a degree in hand embroidery at the Royal School of Needlework in London. Her graduate piece, Maleficium, was recognised by the Worshipful Company of Needlemakers for Most Innovative Stitch and by Tex+ Trustees for Technical Excellence, and won first place in the Hand & Lock Prize in the Student Textile Art category. Her work has been exhibited at Heimtextil in Frankfurt and at the Knit & Stitch shows.
Shane
Shane is a London-based contemporary jewellery artist currently pursuing an MA in Jewellery & Metal at the Royal College of Art. Trained as a jewellery appraiser and jade carving artist, his practice bridges high craftsmanship and conceptual inquiry, focusing on Eastern cultural contexts and identity. His work has been exhibited internationally, including in London, Beijing, and Los Angeles. In this year, he just received an Award from the Goldsmiths’ Craft & Design Council. He has presented work at the Barbican Centre Conservatory, the Institute of Contemporary Arts, and FORGE.
Shih-Han Chou
Shih-Han is a Taiwanese artist working between the UK and Taiwan. She holds a BA in Fashion Design and an MA in Textile Design from Chelsea College of Arts (UAL). Her practice blends storytelling, pattern drawing, and mixed media, incorporating techniques such as drawing, printing, and pattern cutting to create designs that bring emotion and narrative to life. She explores the intricate connections between imagination and perception, interlacing drawing and fabric to build visual languages inspired by nature. Guided by intuitive, ritualistic movements, her process is deeply personal—serving as a journal that preserves moments through patterns and textiles.
Shivangi Vasudeva
Based in London and India, Shivangi Vasudeva is a designer working at the intersection of furniture and textiles. Her practice centres on material culture and endangered Indian crafts, reimagining processes like loin-loom weaving into a contemporary sculptural language.
A Central Saint Martins MA Furniture graduate, she was selected by Corinne Julius for the 10th edition of Future Heritage and named one of House & Garden’s "25 Rising Stars of 2025." With exhibitions across London, Paris, Copenhagen, and India, Shivangi’s work transforms overlooked narratives into vessels for memory, cultural continuity, and renewal.
Shiying Bian (Eleven)
Shiying Bian (Eleven) is a London-based Chinese glass and porcelain artist whose material-led practice translates the Twenty-Four Solar Terms into spatial studies of time. Cast and lamp-worked glass, paired with hand-formed porcelain, register micro-transitions—thaw, humidity, stillness—at seasonal thresholds. Embracing cracks and slumps as generative events, she treats material behaviour as both method and theme. Exhibitions include the RCA Degree Show, “Oscillation” (Small Gallery) and “Un-palinodic Recurrence” (Purist Gallery). Her new installation Summer Solstice · Rooted in Transition appears in the 2025 LumiNoir Art Exhibition.
Sofia Venetucci
Sofia Venetucci is a designer based in São Paulo, Brazil. Her practice combines artisanal processes, material experimentation, and a sculptural approach to furniture and objects. With over six years of experience, she spent five years as part of the design team at the acclaimed Campana Studio, where she deepened her interest in intuitive making and hands-on development. In her independent studio, Sofia explores form through repetition, instinct, and the physicality of materials. She has assisted in summer workshops at Domaine de Boisbuchet, supporting participants as a workshop staff. Her work has been exhibited at Salone Satellite and Fuorisalone (Milan), Dutch Design Week, and featured in both national and international publications.
Sonia Stanyard
Sonia Stanyard is a London-based artist with a BA Honours in Fine Art.
Internationally exhibited, with a solo show, Nurtured Landscapes, at Lab 610 De Faveri Contemporary Art Gallery in Italy, group shows at London Art Fair, Basel Art Fair and Woolwich Contemporary Print Fair, and was the winner of The Door Prize for Painting at Centre Space Gallery, Bristol.
Participated in residencies at the prestigious Vermont Studio Centre (USA) and slab building at West Dean College, Sussex.
Upcoming exhibitions at Rabetts Gallery, London, Sluice and LungA School, Iceland and Artist Open Studio part of Camberwell Arts Festival.
Sophie Ambelas
Sophie Ambelas is a London-based ceramic artist whose work explores memory, heritage, and transformation through texture, colour, and sculptural form. Originally working in 2D image-making, she transitioned to ceramics to pursue a deeper engagement with composition and materiality. Entirely self-taught, she approaches clay experimentally, pushing the medium beyond traditional expectations while bridging craft, design, tradition, and innovation. Sophie is a selected member of the Society of Designer Craftsmen and a recommended artisan of the Michelangelo Foundation’s Homo Faber Guide. She has exhibited across the UK, during London Craft Week, London Fashion Week and internationally at Pik’d Beirut.
Sriratmakes
Srirat Jongsanguandi is a Thai-British artist and designer based in London. Born and raised in Thailand, she moved to London at age 8. After earning a distinction in her art foundation, she studied at Manchester School of Architecture, also graduating with distinction, before continuing her training at AHMM. She later founded a design startup focused on interiors, spatial design, furniture, and objects.
Her work blends traditional craftsmanship with modern technology, creating pieces that elevate daily rituals. Her designs are subtle yet bold, combining culture, storytelling, and artistry with a deep appreciation for craft.
Sugandh Makwana
Sugandh Makwana, designer & collaborator of boundary-crossing jewellery, is known for her deeply reflective style that bridges tradition and innovation, enriched with cultural sensitivity and personal storytelling. Hailing from India and sculpted by experiences at Central Saint Martins, she looks through the lens of unconscious biases and brings attention to the ordinary yet significant parts of one's culture that add to their personality more than they realise.
Sugandh hopes to inspire others to see cultural heritage not as a limitation but as a superpower. She encourages people to embrace their individuality, drawing strength from the aspects of their upbringing, showing that you can be modern while proudly holding on to your roots. As a passionate creator, she aims to create pieces that transcend cultural barriers and expresses this through bold designs.
THIS IS OINK
Founded in 2025, by designers Dan Jackson and Lulu Davey, THIS IS OINK make home & bespoke goods from their workshop on a Dorset farm. Dan is a product designer and skilled maker, while Lulu is a graphic designer; together they have developed their craft at notable studios and major institutions across London and Melbourne over the past decade. Their creative practice and refined yet playful style grows through a process of experimentation, combining traditional craft values with the possibilities of modern machinery. The studio’s Kruller Extra Mirrors were recently named Best New Product in Launchpad at Top Drawer S/S26.c
Theophane Ingold
Theophane Ingold (1996) is a French artist working with wood, light, and material experimentation. He trained for four years with the Compagnons du Devoir as a timber framer before completing a Bachelor in applied arts and traditional chairmaking at École Boulle in Paris. He later attended La Cambre in Brussels for postgraduate studies in industrial design, before returning fully to workshop practice.
He spent a year and a half training with Nicolas Souchet, one of France’s leading chairmakers, and has been based in New York since 2024, working at Atelier Jouffre.
Alongside this, he develops an independent research practice around a translucent wood material made from hand-planed shavings ; a hybrid of craft, light, and surface.
Timothy Davis
Timothy Davis is a self-taught sculptor based in the UK, working primarily with locally sourced wood, cast pewter and resin. His practice centres on material responsiveness, allowing grain, fissures and natural tension within the wood to guide form. Through a process-led approach, he captures moments of impact and transformation, often embedding cast metal forms within carved timber surfaces. His work explores the relationship between natural material and unseen forces, revealing how pressure, gravity and disruption become visible through material change.
Tingjiang Meng SKEY70
Tingjiang Meng was born in China on 2001,a London-based artist working across craft and
contemporary art.He finished Bachelor's degree of Art from Xi’an Academy of Fine Arts and is
currently pursuing an Master’s degree at Chelsea College of Arts, UAL. Nominated for the Geoff
Dudley Bursary (2025/26) and received academic scholarships for two years during university.
Professional experience at Beijing Shiyue Cultural Communication and Hangzhou Meihuan
Cultural & Creative, working across animation production and sculpture fabrication, His work has
been exhibited in Xi’an and London in solo and group contexts and international festivals in indra
gallery, the crypt gallery.
Tingyan Luo
TingYan Luo is a London-based jewellery artist and graduate of Central Saint Martins. Her work resists fixed form, drawing from material intuition and inherited cultural undercurrents. Through slow, tactile processes using recycled media, she rethinks ornamentation as a site of uncertainty, memory, and personal epistemology beyond formal training.
Tong Niu
Tong Niu is a London based sound artist and deep-listening researcher whose work redefines experiential design, spatial interactions, and immersive aesthetics. Merging moving images, psychology, and cybernetic-psychedelic aesthetics, her art masterfully reveals the hidden sonic language of both natural ecologies and virtual spaces.
Through a refined practice of spectral ethnography, Tong Niu unveils the therapeutic potential of sonic narration. Her work evokes concealed emotions and memories, celebrating marginalized cultures and ephemeral histories. By engaging in dynamic sonic dialogues, she creates elevated sensory experiences that foster healing and inspire reconnection with heritage, nature, and the subconscious. This distinctive approach makes her creations a luxurious and transformative addition to any discerning collection and space.
Verona Shi
Verona Shi (b. 2000) is a London-based Chinese ceramic artist, a researcher at the RCA, and an alumna of CSM. Her practice focuses on the synthesis of form and glaze. Grounded in an intimate understanding of ceramic characteristics, she balances the tension between artistic ambition and material constraints. Shi seeks to define a "New Modern Asian Aesthetic" by merging Chinese philosophy with form and material chemistry. Awarded a Special Mention for Research at the 2025 Crea Open, her recent exhibitions include the Swanfall Art Annual at The Mall Galleries, her solo exhibition Nature’s Metronome, and a collaboration with the Hands-On Project at Apsara Studio, London.
Vivian Van
Vivian Van is a ceramist and designer who studied at Goldsmiths and Central Saint Martins. Based between London and Macau, her practice sits at the intersection of material culture, social ritual, and sensory experience. She creates participatory works that reframe everyday objects and actions as catalysts for human connection, exploring how small shifts in gesture and form can change the way people relate to one another and the world around them.
Viviana
My practice delves into the heterogeneous emotions of contemporary individuals, seeking to recover sensibilities lost in an age of mass production. Informed by Marguerite Duras and the concept of écriture féminine, my work explores the fluidity of identity and the constantly shifting nature of emotional landscapes, mirroring the malleability of clay itself. This process reveals the fractured yet resilient essence of "home," both as a space of longing and unresolved trauma and as a site of personal memory and generational legacy. The repetitive nature of my creative process reflects the cyclical nature of memory, creating a tangible dialogue between intimate experience and universally resonant social themes.
Wanyan Wu
Wanyan Wu is a jewellery artist based in China and Birmingham. She holds an MA in Jewellery and Related Products from Birmingham City University. She primarily works with enamel to create narrative jewellery inspired by childhood memories of candy, crafting pieces that evoke warmth and playful nostalgia. In terms of technology, she wants to find a breakthrough and innovation that combines traditional craftsmanship (enamelling & lamp-glass working) with new industry techniques (3D printing).
Weixin Huang
Weixin Huang is a jewellery artist based in London, working primarily with enamel, metal, and mixed media. She has a background in animation and metalsmithing and holds a BA degree in Jewellery & Metal Art from California College of the Arts and a MA Designer Maker degree from Camberwell College of Arts. Her work has been exhibited in group shows across the UK and Europe.
Weixin brings a strong narrative approach to her work—blending playful, experimental forms with a sense of absurdity and meaning. Her practice weaves together elements of animation and object-making, creating wearable pieces and installations where hesitations become invitations, odd impulses find form, and objects spark curiosity and wonder.
What's Wrong Duo
WHAT’S WRONG DUO is a collectable design practice based between Zurich and Bucharest, founded by Sandra Berghianu and Julien Hauchecorne. Bringing together backgrounds in ceramics, visual arts, furniture and interior design, the duo explores the intersection of craft, material experimentation, and conceptual making. Their work often transforms reclaimed, overlooked or industrial materials through intuitive, process-led methods, producing one-off pieces that sit between sculpture and functional object. They have presented work internationally, including at Dutch Design Week, and continue to develop site-responsive projects that foreground the dialogue between material, gesture, and space.
Xi Li
Xi Li is an artist and designer based in Beijing and London. She graduated with a bachelor's degree in Printmaking from the Sichuan Fine Arts Institute in China and pursued her master's degree in Future Materials at Central Saint Martins in the UK. Xi Li has had a lifelong passion for art and observing life. During her undergraduate studies, she developed an interest in mixed media painting. After completing her bachelor's degree, she continued to create art alongside her professional work, experimenting with various artistic expressions and materials.
Xiaotao Tang
Tang Xiaotao is a male student at the School of Esports, Nanjing University of Media and Communication. He has participated in seminars organized by the Architizer A+ Awards. His work, recognized for its modern reinterpretation of the intellectual legacy from the Renaissance era, has garnered multiple Muse Design Awards and earned him interviews on the award's official website. He possesses dedicated research and distinct perspectives on both the trajectory of artificial intelligence development and the artistic and intellectual heritage of the Renaissance perio
Xin Huang
Xin Huang is a London-based artist from Chongqing, China. She recently completed her MFA Fine Art at Goldsmiths, University of London, and received her BFA in Public Art from East China Normal University. Working across sculpture and installation, Huang explores the tension between industrial systems, urban environments and organic forms through materials including concrete, metal, Jesmonite, resin and found objects. Her practice draws from fungal growth, decay and overlooked infrastructural spaces, considering how ordinary materials from the built environment can appear bodily, unstable and strangely alive. Her work has been exhibited in London and Vienna.
Xin Yue
Xin Yue is a London-based interdisciplinary artist with a background in architecture, jewellery design, and research. She holds an architecture degree from the University of Melbourne and the MRes from the Royal College of Art.and develops practice-based research through the lens of Buddhist and Daoist philosophy, exploring liquid identity, impermanence, and the relationship between self, nature, and cosmos. Working across lampworked glass, accessory, installation, and light/sound, she creates contemplative, immersive environments where materials act as co-authors. Her work has been exhibited in London and internationally.
Xinchen Li
Xinchen Li is a jewellery artist and sculptor from China, currently based in the United States. Evolving from small-scale wearables to immersive installations, her work navigates memory, migration, and cultural identity. She has exhibited internationally at the Museum of Arts and Design in New York and Munich Jewelry Week. Her accolades include the Women's Jewelry Association June Herman Scholarship, The ALL Prize, and winning the Mixed Media Category at the 38th Materials: Hard + Soft International Contemporary Craft Competition. Her work is featured in Vogue China, Create! Magazine, and the Jewelry and Metalsmithing Survey.
Xinyu Lu
Xinyu Lu is a London-based artist working across performance, textile, and object-based installation. Her practice explores intuitive making, embodied memory, and the quiet politics of everyday gestures. With a background in design and contemporary art, she works with discarded materials, fabric, and language to construct poetic structures that question failure, repetition, and unresolved transformation.She is currently studying MA Curating Contemporary Design at Kingston University, where her research investigates how tactile knowledge and bodily unlearning can become subtle forms of resistance and care.
Xuanbo Cao
Xuanbo Cao is an art worker based in London, her inspirations are all from nature, plants and daily life, from where collect colours, shapes and compositions. She is trying to find the balance between representation and abstract art, combine different materials to make works more creative. Vivid colours and lively shapes are her unique style in her works.
Yahvi Duggal
Yahvi Duggal is an Indian textile artist and educator based in London. She is the founder of Peel Studio, working with biomaterials, natural dyes and hand weaving to explore sustainability and material innovation. Using organic kitchen waste such as banana peels and eggshells, she transforms discarded matter into tactile textiles. Yahvi holds an MA in Textiles from the Royal College of Art completed in 2024 and a Bachelor’s degree from the National Institute of Fashion Technology completed in 2021. Her work has been exhibited at London Design Festival, Surface Design Show and Great Northern Contemporary Craft Fair and was part of Art’otel and Dazed x Mason & fifth Residency.
Yibo Wan
Yibo Wan is an artist based in London, holding a degree in Moving Image from the University of Liverpool and an MA in Jewellery & Metal from the Royal College of Art. Her multidisciplinary practice spans visual art, moving image, and sculptural jewellery. Yibo explores the intricate connections between human emotions, perception, and the body’s interaction with its environment. Through core narratives, abstraction, and focus on fleeting moments, her work delves into subtle psychological experiences, creating immersive emotional landscapes that resonate with personal and emotional narratives.
Yichen Zhao Ivan
Yichen Zhao is a jewellery artist and designer who graduated with an undergraduate degree in jewellery from Central Saint Martins. Living and working in the UK, China.
He uses humour and thoughtfulness in his work, combining design and production methods to question the identity and meaning of jewellery and objects. His work is a personal response to everyday experiences and observations.Yichen works independently and collaboratively on private and public projects, personal research projects and collaborative design projects. Has experience working with various brands.
Yingqi ‘Puffy’ Zhao
The Wanlie License crew, in short, is a push and pull between “making sure all surfaces are 100% parallel to one another” and “breaking every single pattern to find peace in chaos”. Wanlie License is our ongoing daily ritual of inputting stimulus, emotion, and memory while outputting wearable art for the world.
Yiwei Huang
Yiwei Huang is a jewellery designer and maker based in London, working with a range of metals and organic materials. She graduated from the MA Fashion Artefact and BA Fashion Jewellery programmes at London College of Fashion. Her work has been exhibited in European group jewellery exhibitions, including ENJOIA’T in Spain and Inflow in Hungary, and shown at galleries and museums such as the Victoria and Albert Museum, Kensington. Her practice explores questions of genuine human connection within a technology-driven, fast-paced world.
Yiwen Zhang
I am an artist with a background in jewellery design, working mainly in the Birmingham area of the UK and mainland China, I focus on explore enamelling works(a kind of traditional material with long history) in the contemporary visual context, creating new visual effects through the flexible use of enamel techniques in cooperation with different kinds of enamel glazes.
YouJin Seo
YouJin Seo is a multidisciplinary jewellery and object maker based in Seoul and London. Her work merges traditional craftsmanship with experimental and conceptual approaches, exploring the intersections of jewellery, objects, and installations. She holds a Master’s degree in Jewellery and Metal from the Royal College of Art, where she developed a distinctive practice centered on the dualities of human experience and emotion - connection and isolation, presence and absence, order and chaos - exploring how these themes shape our emotional landscapes.
Youwei Luo
Born in China and shaped by a multicultural upbringing, Youwei Luo spent his teenage years in Morocco before settling in London, where he is now based. His early interest in form and structure grew into a broader investigation of spatial and visual language through sculpture and computational art. Informed by personal history and cross-cultural experience, his work explores the relationship between physical and digital media. Through abstraction and process-based experimentation, Luo engages with ideas of transformation, memory, and the shifting nature of identity. Luo continues to expand his practice through material exploration and conceptual research, with a focus on how contemporary experience can be expressed through visual form and constructed space.
Youyang Zhao
Youyang Zhao is a metal artist based in London, specializing in handcrafted metal vessels and lacquerware. A graduate of the Royal College of Art, Zhao’s practice explores the expressive possibilities of traditional craftsmanship and materials. His work focuses on the interplay between form, surface, and the tactile qualities of metal, creating refined objects that celebrate both innovation and heritage.
Yoyojin (Hojin Im)
Yoyojin’s practice explores the relationship between image and peace, and the meaning of individual existence within politically complex social systems. Working across illustration, animation, AI, sound, and live painting performance, he approaches multilayered contemporary issues with a strong sense of empathy.
His nearly ten years of living and working in Zambia continue to shape his artistic vision deepening his commitment to cross-cultural dialogue and reinforcing his belief in art as a powerful tool for human connection.
Yu Chi Cheung
Yu Chi Cheung was born in Hong Kong and is currently based in London. They graduated from Central Saint Martins in BA(Hons) Ceramic Design.
With a background in fine and the performing arts, they channel their experiences into their current ceramic practice. Their current work bridges the gap between illustration and ceramics. They focus on the development of surface design through the alteration of the traditional making process.
Their work is illustrative, narrative, and they find fulfilment in detail. They frame the beauty in the mundane, treasuring the fragile moments in life. Finding significance in the insignificant, and the soul of the big picture.
Yu-Ching Chen
I am a Taiwanese craft designer and artist based in London, dedicated to creating pieces that merge functionality with artistic expression. Drawing inspiration from everyday surroundings and the organic beauty of nature, my work explores the balance between structure and fluidity. With a deep appreciation for materials and craftsmanship, I handcraft each piece to reflect simplicity, purpose, and emotional connection. My designs aim to evoke a sense of place and memory, transforming ordinary objects into meaningful experiences. Through my practice, I strive to push the boundaries of craft and design, creating works that resonate both visually and functionally.
Yuhan Tong
Yuhan Tong is a Chinese jewellery artist currently studying at London College of Fashion. Renowned for bold experimentation and innovation, she creatively blends traditional materials with unconventional elements to craft strikingly unique and expressive pieces. Passionate about pushing artistic boundaries, Yuhan encourages others to embrace fearless exploration, continuously broaden their horizons, and authentically communicate their inner worlds through the transformative and daring language of art.
Yutong Liu
Master's degree in Jewellery and Metal Royal College of Art - London
Bachelor's degree in Product Design (Jewellery)
China University of Geosciences - Wuhan
Publications
JUZI MAGAZINE NO.72 JUNE .June 2023
The work "Post Punk" appeared on the cover of JUZI magazine.
SELIN MAGAZINE ISSUE 28 VOL.45 May 2023
The work "Cosmic Colony" was included in the Dutch magazine Selin
Yuze Pan
Yuze Pan (b. 2001, Heilongjiang) graduated from the Metal Craft and Jewelry Studio at the Central Academy of Fine Arts and is currently pursuing an MA in Jewellery & Metal at the Royal College of Art, London. His practice focuses on applied arts, exploring the properties of metal materials and their extended meanings. His work centres on boundaries, binary relations, and spatial transformation. Rooted in observations of his surrounding environment, he investigates potential connections between cultures, between people and objects, and between events. He draws on this interwoven state of making—together with a sensitive perception of the environment and an ability to synthesise abstractions—to translate lived experiences into works with a distinctive aesthetic language. Awards: 2026 GCDC.
Yuzhe Zoe Zhang
Yuzhe Zoe Zhang (b. 1999, China) is a jewellery artist based in Yunnan. She graduated with a BA (Hons) in Jewellery Design from Central Saint Martins (2025, London). Zoe focuses on creating jewellery that conveys emotions through kinetic movement. Her works have been displayed at London Design Festival, Alsolike Gallery (2025, London), Being Art Museum (2025, Shanghai) and Goldschmiedehaus Hanau (2026, Hanau)
Zoe has earned recognition such as the Autor Award (2025, London) and Public Choice Award, the Black Dot Award (2026, Bucharest) at the Autor Fair. She was also shortlisted for the Friedrich Becker Prize (2026, Hanau).
Z.X Zhao
Z.X. Zhao is a jewellery artist and designer from Guangzhou, China, currently residing in the United Kingdom. She earned a BA in Jewellery Design from the University of the Arts London and later completed her MA in Jewellery and Metal at the Royal College of Art. Her early interest in systems like the I Ching and Tarot sparked a curiosity about how people find spiritual comfort—not only through symbolism or prediction but also through personal rituals of reflection and connection. This curiosity deepened as she faced a long-term struggle with insomnia, prompting her to explore more grounded and sensory approaches to supporting emotional well-being. Rather than treating healing as an abstract concept, Zhao engages with the five senses—especially scent and sight—to create wearable pieces that provide calmness and a sense of gentle protection. Her work combines natural fragrances, body adornment, and domestic-scale installations, blurring the line between jewellery and emotional space. Through these intimate objects, she invites moments of quiet restoration into everyday life.
Zan Wang
Zan Wang (b. 1997) is a professional artist and researcher based in London, UK. Currently, she is a PhD researcher in contemporary art and philosophy at Lancaster University. She completed her BFA at the School of Visual Arts in 2019 and her MFA in Painting at the Maryland Institute College of Art in 2021. Zan's practice explores trace, and ephemerality, and the demarcation and erasure of borders within landscape paintings. Utilising mixed media materials and cyanotype overlay painting, she investigates the multiplicity of awareness and internalised landscapes. Her work features motifs such as relics, stages, and windows, which act as boundaries and portals, offering a multi-layered exploration of space, time, and transformation. Over the past five years, Zan has exhibited in London, Lancaster, and Sheffield in the UK, as well as in New York and Baltimore in the US.
Zhuoqi Liu
Zhuoqi experienced in working across multiple sensory media, with a focus on the interaction between sound, jewelry, and the body. Skilled in music production, workshop facilitation, and the application of media technology and sensors in healing and sensory practices. Demonstrates strong interdisciplinary capabilities in integrating art, material and technology.
Zifan Sun
Zifan Sun is a London-based artist and photographer whose work explores memory, human connections, and the sense of belonging. With a background in architecture from Scotland, she navigates the interplay of space, light, and cultural identity. Her journey spans cities and cultures, from China to London and beyond, shaping a nuanced perspective on place and self. Through her art, she reflects on the complexity of migration and the fluid nature of home, capturing fleeting moments that bridge personal history with collective experience.
Zizi Vakili
Ghazaleh Vakili, also working under the artist name Zizi, is an Iranian-Austrian artist and interior architect based in Berlin. Her practice moves among material, memory, and spatial experience, working across different media such as ceramics, wood, textiles, and installation. In her recent work, she focuses on textiles and embroidery to explore fragmentation, repair, belonging, and cultural memory. With a background in interior architecture, she creates tactile works that sit between object, sculpture, and space.
e.L.s designs
e.L.s designs is a Glasgow-based textile artist who graduated with a BA (Hons) in Textiles from The Glasgow School of Art in 2024. Working primarily with colour thread warping on canvas and cork, their practice explores structure, movement, and materiality through complex, one-of-a-kind surfaces. Blending traditional textile processes with contemporary design, e.L.s designs is expanding into wood, stone, and interior-led applications. Their work sits at the intersection of craft, art, and functional design, celebrating texture, rhythm, and innovative material use.
studio WC
studio WC is the practice of Will Carey, a Glasgow-based ceramicist, designer and grower.
Carey’s education spans design, visual art and critical theory. After a brief stint studying Architecture at the Bartlett, UCL, Carey went on to receive a MA (Hons) Fine Art and History of Art from Edinburgh College of Art.
Carey’s work is contained in private collections in UK and recent exhibitions includeThe Thread That Pulls, Royal Scottish Academy, Edinburgh (2025); Holding Conversations, Custom House Gallery (2026), Edinburgh; Coburg Kiln II (2026),Coburg House, Leith; Dear Earth (2026), Kirkcaldy Galleries & St Andrews Museum, Fife.

















































































































































































































