Nao Nagamura

Each piece is hand-embroidered using restrained, repetitive processes that emphasise duration and labour. By stitching text in white thread on white cloth, the works resist immediate legibility, inviting viewers to engage through patience and sustained attention. Meaning emerges gradually, shaped by perception rather than instant consumption.

The series reflects an interest in craft as a cognitive and temporal practice, where making becomes a way of thinking. Across the collection, language functions not only as content but as structure, surface, and perceptual experience.