Seungjoo Mun
This collection originates from a personal observation: that the remnants left behind in the process of making felt more significant than the finished work itself.
These fragments carry the material memory of decisions, hesitations, and adjustments that the polished surface erases. While moving toward completion, Seungjoo found herself drawn to what was discarded, prompting a question: where does essence truly reside?
She turns to the spine as a structural model. The spine is neither decorative nor visible, yet it enables both stability and movement. Without it, the body collapses; with it, form becomes possible. In her work, remnants assume this role. They are not secondary elements but the internal framework that sustains each piece. By bringing what is usually hidden into view, she redirects attention from surface to structure, where underlying systems become perceptible through recontextualisation.
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