Emiline Trenton
Emiline explores intimacy within self, healing through the bodily and the performative. She is an international practitioner, interrogating architectural textiles for pain and rehabilitation, working artistically and methodically as an artist, designer, and researcher.
Fascinated by the dialogue between structures and the body. It is haptic, the subversive, honing the deeply personal, reflecting upon ancestral trauma and oppression of bodies. Merging the poetic and the scientific, she employs knit to catalyze a lost layer of protection, shielding and unveiling.
Emiline is a graduate of the Master of Arts, Textiles Programme at Royal College of Art and the Bachelor of Industrial Design, Industrial and Interaction Design Program at Syracuse University, New York.
Pain Bodies is a series of sculptural knit works that emerge from a personal and collective need to process pain—held in the body, inherited through lineage, and embedded in the fiber.
The work reflects on loss, trauma, and care, and began with the intimate memory of losing a beloved sweater after the passing of my aunt. That unraveling became a catalyst: a tender inquiry into the ways we armor ourselves emotionally, and the moments when that protection begins to soften.
These forms are knitted with tension, weight, and intentional compression—some droop, others resist. They mirror the contradictions of healing: fragility and strength, grief and grounding. The materials stretch and hold, shaping cavities that feel anatomical, spiritual, and architectural. Each Pain Body is a gesture toward protection, but also exposure—hovering between presence and absence.
I consider these works to be restorative tools. They are not solutions, but invitations: to sit with discomfort, to trace the ways pain moves through structure. Performed, suspended, or draped, they invite a meditative slowness. Pain Bodies are both shield and offering—textiles not only as surface, but as systems for remembering, holding, and transforming.
Project Gallery
