As a research cluster, DCA integrates teaching, research, and design. It is a teaching practice that combines digitalisation, artificial intelligence, and automation with traditional crafts. Its team consisted of researchers, scholars, and designers, architects from the UK, HK, EU.

Its design research results have been featured in Archidaily, Dezeen, Designboom, Architectural Today, Amazing Architecture, Nature, and Parametric architecture

For our cutting-edge and innovative technological outputs and achievements, its students and mentors' works have been invited to participate in the Venice Biennale, G. F Smith Paper City Exhibition, UCL B-Pro show, THU Design Futures · Shared Vision, V&A, HKFYG Exhibition.

Bocen Zhou is an interdisciplinary artist dedicated to exploring contemporary jewelry design. She holds a BA from Central Saint Martins, University of the Arts London, and an MA from the Royal College of Art. Inspired by literary metaphors, art historical contexts, and ecological philosophy, her practice revolves around symbiotic relationships within the framework of the Anthropocene. Employing an almost archaeological approach, Bocen brings dust, soil, glass, and pebbles into dialogue, constructing a visual epic on the cyclical nature of matter in the universe. Her work invites viewers to reconsider their connections to nature, time, and others through an aesthetic experience. Her work has been recognized with the Cartier Scholarship 2022 at Central Saint Martins, the MullenLowe NOVA Award Runner-up Prize 2023, and the Marzee Graduate Prize 2023.

Born in the highlands of China and based in the UK, I am a fifth-year architecture student at the Glasgow School of Art. My work explores the subtle emotional connections between the self and the natural environment.

Chen Linqing (Sophie), Li Xinping and Jin Luzi are a group of multidisciplinary artists studying at the Royal College of Art. They are committed to exploring the boundaries of sensuality and freedom in art, and their work is intended to be a medium to stimulate ideas.

Youyang Zhao is a metal artist based in London, specializing in handcrafted metal vessels and lacquerware. A graduate of the Royal College of Art, Zhao’s practice explores the expressive possibilities of traditional craftsmanship and materials. His work focuses on the interplay between form, surface, and the tactile qualities of metal, creating refined objects that celebrate both innovation and heritage.

Mengyuan Xia is a jewellery artist based in London. She sees jewellery as a medium for communicating with the viewer's mind, and the appeal of the medium lies in the natural proximity of human beings, a proximity that encompasses both the physical and the psychological.

Alex is a French-Portuguese photographer and creative with a background in Marketing and Communication across global organizations and ad agencies. His work blends strategic insight with artistic vision, crafting imagery rich in narrative and visual impact. Passionate about fashion, travel, and food, he draws inspiration from diverse cultures and perspectives. Deeply curious and creatively driven, Alex focuses on authentic portraiture that captures raw emotion and truth. From Paris to London and Scandinavia, his lens reveals reality while inviting the imagination to explore.

Ella Merriman is a London-based artist and designer working with the endangered craft of rush basketry. Her work explores the disconnection between humans and nature, drawing on her fascination with plant-human relationships. She combines rush with found objects from London streets, seeking harmony between urban and rural life. Rooted in slow, tactile processes, her practice is guided by intuition and her materials. A Furniture & Product Design graduate (First Class Honours, 2018), she has exhibited across the UK and Europe. In 2024, she received the Worshipful Company of Basketmakers’ Award and has a studio in London.

Jundan Chen (b.1998) is a London-based multimedia artist exploring materiality, memory, and transformation through textiles, glass, and metal. A graduate of the Royal College of Art, she founded X.salis Studio in 2023. Her work has been exhibited in leading London galleries including Purist Gallery, and ArtSect Gallery, and has participated in major group exhibitions such as the London Design Festival at Surge Chapter. Her work has been featured in international and industry publications including 1883 Magazine and Schön Magazine.

Laetitzia Campbell is a British-French artist based in London. She studied at the Gerrit Rietveld Academie (BA) and the Institut Français de la Mode (MA), and worked for four years in the luxury industry in embroidery before returning to her own art practice.
She explores what she calls “second-hand memories”: emotions passed down through objects, stories, and gestures, and the quiet ways we try to hold onto them.

Tang Xiaotao is a male student at the School of Esports, Nanjing University of Media and Communication. He has participated in seminars organized by the Architizer A+ Awards. His work, recognized for its modern reinterpretation of the intellectual legacy from the Renaissance era, has garnered multiple Muse Design Awards and earned him interviews on the award's official website. He possesses dedicated research and distinct perspectives on both the trajectory of artificial intelligence development and the artistic and intellectual heritage of the Renaissance perio

Jeanne François (b.1999) is a french ceramist and sculptor whose work revolves around wild clays and the exploration of the land. After briefly studying literature, she obtained a BA in Object design and Ceramics in Paris, followed by a 2-year MA in Ceramics & Glass at the Royal College of Art, London. She now lives and works in Paris.
Alongside her own digging trips, she has worked alongside collectives such as ECT and Golden Earth, to reclaim excavated soils in her ceramics. She's taken her exploration of the land throughout several residencies and has been exploring wood firings in Oxford university kilns.

Sarah is a self-taught jeweller, making contemporary jewellery from found objects combined with sustainable semi-precious stones, eco-silver, recycled gold and re-purposed brass for 25 years.
She lives in St Austell, Cornwall where she spends as much time as possible outdoors on local beaches, reclaimed clay pits and in the woods with her family and dogs collecting beach plastic, sea-glass, driftwood, ghost-net, twigs and rusty metal.
Sarah’s work has been exhibited in Europe, at Autor in Bucharest, Schmuck in Munich, as well as Brussels and Milan jewellery weeks. She teaches jewellery-making in Cornwall and at West Dean College; she’s co-lead of ACJ Cornwall and co-founder of Terramater Art.

Miyuki Guo is a Chinese Canadian artist based between London and Shanghai. Her multidisciplinary practice explores the relationship between material and immaterial realms through glass, clay, and metal. Blending intuitive making with philosophical inquiry, she investigates duality, transformation, and the space between presence and absence. Her sculptural works act as both visual diary and material experiment. With a background in fashion design, media, and education, her approach remains fluid and research-driven. Miyuki holds a BFA from Parsons School of Design and recently graduated with an MA in Ceramics & Glass from the Royal College of Art in London.

Tong Niu is a London based sound artist and deep-listening researcher whose work redefines experiential design, spatial interactions, and immersive aesthetics. Merging moving images, psychology, and cybernetic-psychedelic aesthetics, her art masterfully reveals the hidden sonic language of both natural ecologies and virtual spaces.

Through a refined practice of spectral ethnography, Tong Niu unveils the therapeutic potential of sonic narration. Her work evokes concealed emotions and memories, celebrating marginalized cultures and ephemeral histories. By engaging in dynamic sonic dialogues, she creates elevated sensory experiences that foster healing and inspire reconnection with heritage, nature, and the subconscious. This distinctive approach makes her creations a luxurious and transformative addition to any discerning collection and space.

Mingxuan is a London-based jewellery designer from Beijing, graduated from the London College of Fashion, University of the Arts London. Her work explores the psychological tension and emotional intimacy between individuals and environments. Shaped by her academic background in fine art, she approaches jewellery not merely as adornment, but as a wearable installations that navigate the space between personal emotion and collective urban identity.

Mair is a London-based concept jewellery designer. Her work explores where heritage intertwines with craft, using jewellery as a vessel for showcasing her affinity with making and design. She recently graduated from Central Saint Martins where she studied BA Jewellery Design. She has been exhibited at Vitsoe Gallery for Munich Jewellery Week, she collaborated with Swarovski and exhibited the work at SEASON Gallery, London. She also co-designed and made with CHRISHABANA a headpiece which was worn at the Met Gala, whilst completing her Diploma in Professional Studies in New York.

Megumi Ohata is a London-based interdisciplinary and special effects artist of Japanese heritage with mixed Korean background. Renowned for innovative wearable sculptures using artificial skin imprinted with their own textures, Ohata earned an MA with Distinction from the Royal College of Art in 2023. Their work has been shown at Tate Modern, Cromwell Place, and HSBC HQ, and is held in the Adamovskiy Foundation collection. Ohata was a finalist for the 2024 Ingram Prize, a member of the Royal Society of Sculptors, and a Highly Commended Artist in the Winter 2025 Homiens Art Prize, marking their unique position in contemporary art.

Lixuan Huan is a visual artist based in China, working primarily with photography. She graduated from Newcastle University with a degree in architecture in 2022. Her creative practice is informed by a sensitivity to space, structure, and the unspoken layers of experience.

Lu is a London-based architectural designer and artist. Born in China and educated in Italy and the UK, she now shapes large-scale, future-focused projects while pursuing personal work that weaves Eastern aesthetics into contemporary design.

Sitong Chen is a London-based artist and metalsmith, currently an artist-in-residence at Birmingham City University. She graduated from the Royal College of Art and uses jewellery as a poetic language to explore resilience, transformation, and the human–nature relationship.

Chuxin Chen is a Chinese artist and RCA Ceramics & Glass graduate. She creates jewelry using enamel, ceramics, and metal, exploring emotion, instinct, and sensory perception through everyday imagery.

Jes Chen is a London-based interdisciplinary artist and spatial designer. With a background in architecture and a master’s training in narrative environments, her practice explores the intersection of fiction and space. She works across digital collage, installation, and interactive media to examine institutional power, collective memory, and the emotional economy. Jes currently works as a designer at an architecture studio while actively developing her independent artistic practice.

Shiying Bian (Eleven) is a London-based Chinese glass and porcelain artist whose material-led practice translates the Twenty-Four Solar Terms into spatial studies of time. Cast and lamp-worked glass, paired with hand-formed porcelain, register micro-transitions—thaw, humidity, stillness—at seasonal thresholds. Embracing cracks and slumps as generative events, she treats material behaviour as both method and theme. Exhibitions include the RCA Degree Show, “Oscillation” (Small Gallery) and “Un-palinodic Recurrence” (Purist Gallery). Her new installation Summer Solstice · Rooted in Transition appears in the 2025 LumiNoir Art Exhibition.

Yu Chi Cheung was born in Hong Kong and is currently based in London. They graduated from Central Saint Martins in BA(Hons) Ceramic Design.

With a background in fine and the performing arts, they channel their experiences into their current ceramic practice. Their current work bridges the gap between illustration and ceramics. They focus on the development of surface design through the alteration of the traditional making process.

Their work is illustrative, narrative, and they find fulfilment in detail. They frame the beauty in the mundane, treasuring the fragile moments in life. Finding significance in the insignificant, and the soul of the big picture.

Ash Pales create sculptures and functional works in wood. At Yale University (2020) and the Royal College of Art (2023), she completed Bachelor’s and Master’s degrees in architecture, which guided her towards an interest in the physical crafting of objects and spaces. Alongside her studies, she has worked with artists and architects in the US, Europe, and Japan, exploring traditional and contemporary methods of craft at many scales. Originally from the USA, she now lives and works in London, transforming salvaged timber into forms which highlight the spirit of the material and encourage a connection with the natural world.

Born in China and shaped by a multicultural upbringing, Youwei Luo spent his teenage years in Morocco before settling in London, where he is now based. His early interest in form and structure grew into a broader investigation of spatial and visual language through sculpture and computational art. Informed by personal history and cross-cultural experience, his work explores the relationship between physical and digital media. Through abstraction and process-based experimentation, Luo engages with ideas of transformation, memory, and the shifting nature of identity. Luo continues to expand his practice through material exploration and conceptual research, with a focus on how contemporary experience can be expressed through visual form and constructed space.

Xinyu Lu is a London-based artist working across performance, textile, and object-based installation. Her practice explores intuitive making, embodied memory, and the quiet politics of everyday gestures. With a background in design and contemporary art, she works with discarded materials, fabric, and language to construct poetic structures that question failure, repetition, and unresolved transformation.She is currently studying MA Curating Contemporary Design at Kingston University, where her research investigates how tactile knowledge and bodily unlearning can become subtle forms of resistance and care.

Yoyojin’s practice explores the relationship between image and peace, and the meaning of individual existence within politically complex social systems. Working across illustration, animation, AI, sound, and live painting performance, he approaches multilayered contemporary issues with a strong sense of empathy.
His nearly ten years of living and working in Zambia continue to shape his artistic vision deepening his commitment to cross-cultural dialogue and reinforcing his belief in art as a powerful tool for human connection.

Qing Duan is a London-based spatial designer and interior ar­chitect working across space, installation, and visual narrative. Her practice investigates how spatial design can bridge scales, stories, and systems-from the collective conditions of human life to the intimate connections between psychological and physical space.
With a focus on reusing and reinterpreting existing structures, Qing often engages with overlooked corners, thresholds, and soft enclosures. Her projects combine material experimentation with quiet observation, creating environments that are inti­mate, layered, and responsive.
She holds a Master's degree from the Royal College of Art and continues to explore how spatial storytelling can offer alterna­tive ways of inhabiting the world.

Sofia Venetucci is a designer based in São Paulo, Brazil. Her practice combines artisanal processes, material experimentation, and a sculptural approach to furniture and objects. With over six years of experience, she spent five years as part of the design team at the acclaimed Campana Studio, where she deepened her interest in intuitive making and hands-on development. In her independent studio, Sofia explores form through repetition, instinct, and the physicality of materials. She has assisted in summer workshops at Domaine de Boisbuchet, supporting participants as a workshop staff. Her work has been exhibited at Salone Satellite and Fuorisalone (Milan), Dutch Design Week, and featured in both national and international publications.

Yilin is a ceramic artist and craftswoman based between London and Jingdezhen. She specializes in figurative and innocent pieces, characterized by delicate colors and brushstrokes inspired by watercolor techniques.

Luna is a versatile visual artist whose practice spans painting, installation, 3D art, and bookmaking. With a background in illustration and extensive experience in the arts, her work explores themes of female identity, intergenerational trauma in Asian families, and sexual violence. Central to her practice is the act of storytelling—both as a deeply personal East Asian experience and as a bridge for cross-cultural communication. Blending traditional techniques with contemporary perspectives, Luna creates powerful visual narratives that seek to form profound emotional connections with viewers.

Jiani Gu is an interdisciplinary artist based between Hangzhou and London, working across jewelry, objects, and moving image. She holds a BA from the China Academy of Art and is currently studying at the Royal College of Art. Her practice often begins with small, everyday items, constructing narratives that shift between the absurd, the satirical, and the poetic. Through this, she questions the structures of artistic discourse and reflects on the power dynamics embedded in language itself. Her current research focuses on how text and meaning are generated, with particular interest in the entropy and slippages of language within cross-cultural contexts.

Alessia Capra was born and raised in Oristano, Sardinia. After earning a diploma in literature, she moved to London at 18 and later graduated with first-class honours in Ceramic Design from Central Saint Martins in 2025. Her practice combines hand-building, wheel-throwing, and sculptural techniques, shaped by a deep curiosity for materials. She explores the relationship between terracotta and porcelain, alongside an ongoing interest in glaze chemistry. A year-long internship at Kevala in Bali further informed her approach. Drawing on her Sardinian roots and global experiences, Alessia reinterprets ancient traditions through a contemporary lens, engaging with themes of heritage, memory, and identity.

Yaxin Zhai（b.2001） is a jewellery artist based in London, currently studying at the Royal College of Art. Her practice spans jewellery and moving image, with a focus on how power, identity, and visual control are embedded in clothing systems. Drawing from observations of how uniforms shape the body, she uses metal engraving and folding techniques to reconfigure symbols of authority into forms that embody both resistance and vulnerability. Her ongoing research investigates the visual language of power in wearable objects, aiming to create intimate narratives that question and destabilise dominant social structures through the act of wearing.

Giovanni is a designer specialising in ceramics. Born in Scotland, growing up in several countries and now living and working in and around London he has always been rooted by his family and cultural heritage. After graduating from Chelsea College of Arts his work continues to focus on cultural heritage, the exploration of design and the material uses outside of the taught Eurocentric sphere. By doing so he attempts to re-explore and re-establish himself as a mixed ethnic designer.

Helena Palmeira is a Brazilian artist and designer whose practice explores the intersections between body, materiality, and cultural identity.
A graduate of Central Saint Martins (MA Design), Helena’s work is grounded in deep material research and an ongoing dialogue with historical, social, and personal narratives.
Through a sculptural and tactile approach, she reimagines objects as mediums of transformation, expression, and connection.
Sustainability, cultural memory, and the reshaping of form are at the core of her process, often working with responsibly sourced materials such as reclaimed woods, botanical elements, fairmined gemstones, and recycled metals.

Daisy Brimble is a London based jewellery designer and a 2025 First Class BA Jewellery Design graduate from Central Saint Martins. Her work is materially led, working instinctively and intuitively to materials. With a material design process, she works iteratively, often taking to the bench early to allow for maximum experimentation. Daisy has exhibited work in Galleria Objets, and Vitsœ during Munich Jewellery Week 2023. Additionally, she has collaborated on live projects with Louis Vuitton, Swarovski and a ring design proposal to Solange. Although Daisy’s work aims to push material boundaries, one of her core design principles is ensuring wearability.

Tianye An is a jewellery designer and metalsmith currently studying in the Jewellery and Metal programme at the Royal College of Art (RCA).
His recent practice focuses on precious metals, where material serves not only as a medium but also as a point of entry for thinking.

Shih-Han is a Taiwanese artist working between the UK and Taiwan. She holds a BA in Fashion Design and an MA in Textile Design from Chelsea College of Arts (UAL). Her practice blends storytelling, pattern drawing, and mixed media, incorporating techniques such as drawing, printing, and pattern cutting to create designs that bring emotion and narrative to life. She explores the intricate connections between imagination and perception, interlacing drawing and fabric to build visual languages inspired by nature. Guided by intuitive, ritualistic movements, her process is deeply personal—serving as a journal that preserves moments through patterns and textiles.

Zhuoqi experienced in working across multiple sensory media, with a focus on the interaction between sound, jewelry, and the body. Skilled in music production, workshop facilitation, and the application of media technology and sensors in healing and sensory practices. Demonstrates strong interdisciplinary capabilities in integrating art, material and technology.

Growing up between London and the Isle of Wight, Neve Beill has long been captivated by the tactile qualities of the island’s clay. Early experiences playing with local clays have left a lasting impression, shaping her practice today. She is influenced by found objects, letting these inform her work. Her approach weaves together exploration, material innovation, and historical discovery.
With a background in design and formative years spent studying at Fine Arts College, Neve brings both a conceptual and artistic approach to her practice. Her work has been featured in publications and she has been involved in numerous group exhibitions.

Wanyan Wu is a jewellery artist based in China and Birmingham. She holds an MA in Jewellery and Related Products from Birmingham City University. She primarily works with enamel to create narrative jewellery inspired by childhood memories of candy, crafting pieces that evoke warmth and playful nostalgia. In terms of technology, she wants to find a breakthrough and innovation that combines traditional craftsmanship (enamelling & lamp-glass working) with new industry techniques (3D printing).

Daye Kim is a London-based contemporary jewellery artist whose work explores the emotional and psychological dimensions of human connection. Trained in Arts & Crafts at Sookmyung Women’s University and Jewellery & Metal at the Royal College of Art (MA, 2023), her practice blends traditional metalwork with digital fabrication. Drawing on philosophical inquiry and intimate relationships, she creates wearable sculptures that transcend their functional purpose. Her work has been exhibited at Schmuck 2024, London Craft Week, and Goldsmiths’ exhibitions, and recognised by the Goldsmiths’ Craft & Design Council with Silver and Bronze Awards.

Lengling Bai (b.1999, Chongqing, China) is a contemporary jewellery and materials artist based between London and China. She holds a BA in Jewellery Design from China University of Geosciences and is pursuing an MA in Design (Ceramics, Furniture, Jewellery) at Central Saint Martins, London. Her practice explores the relationship between the body, curves, and large-scale wearable pieces through sustainable materials and traditional craft. Her work has been collected by her undergraduate university, featured in the 2023 Beijing International Contemporary Jewellery Exhibition, and continues with her ongoing project Shimmer Ripple, inspired by sunlight ripples on water.

Caitlin Froud is a ceramicist and storyteller from the small English seaside town of Whitstable, Kent. Guided by a deep connection to her hometown seaside landscape, her material-driven practice explores our connection to place through their local materials and is often accompanied by poetry or prose. Caitlin has experience working as a Studio Technician at Clayspace Studios in Margate and graduated earlier this year from BA Ceramic Design at Central Saint Martins, June 2025

Born in the Netherlands, Kubra holds a degree in Fashion & Design from the Amsterdam Fashion Institute. After moving to England, the passing of her parent led her to begin a heartfelt journey into ceramics, drawing inspiration from both her cultural roots and fashion background.

Ninique is an early-stage ceramic artist based in East London. With a background in illustrative drawing, painting, and life drawing, her ceramic pieces often take on sculptural, organic, and meandering forms. She is especially drawn to themes of femininity, sculpted faces and hands, metamorphosis and nature. Working out of the Sustainable Makers of London Studio, she works predominantly with reclaimed clay and glazes, through hand building, plaster work and carving techniques.

Usmaan Mufti is the designer and maker behind Emelgi Leather Goods, a London-based brand crafting nature-inspired wallets and cardholders. With a deep appreciation for the outdoors and traditional craftsmanship, each piece is handmade using premium, vegetable-tanned leather. Usmaan’s approach seamlessly blends functionality with organic design, allowing the natural character of the leather to shine through. Emelgi is built on principles of sustainability, longevity, and meaningful design—creating everyday items that wear in, not out.

Danshuu is a London-based sustainable clothing brand combining urban romance with inclusive, genderless design. Since 2022, it has reimagined timeless silhouettes into minimalist pieces with quiet elegance. Inspired by philosophy, poetry, and city life, each design tells a story—thoughtful, personalised, and easy to style.
Its signature cropped vegan leather jacket captures the layered feel of modern lifestyle. Made thoughtfully from recycled materials, Danshuu committed to slow fashion—respecting both people and the planet.

Four AM Product Design is a collective founded in 2024 by four designers who graduated from Camberwell College of Arts. Based in London, the team explores the intersection of playfulness and practicality through ceramics. Their work focuses on creating thoughtful, functional objects that elevate everyday life.

Dohee Park is a London-based visual artist working across sculpture, installation, and art direction. She studied at Central Saint Martins, where she developed a multidisciplinary approach to spatial storytelling.

TingYan Luo is a London-based jewellery artist and graduate of Central Saint Martins. Her work resists fixed form, drawing from material intuition and inherited cultural undercurrents. Through slow, tactile processes using recycled media, she rethinks ornamentation as a site of uncertainty, memory, and personal epistemology beyond formal training.

Sebastián is a designer based in Quito, Ecuador. After completing a Higher Degree in Industrial Design in Barcelona in 2023, he returned to his hometown to develop a hands-on, material-driven practice. Influenced by his self-taught engineer father and his mother’s creative handmade work, he formed a strong connection to making. His work reflects a deep curiosity about materials, everyday objects, and their underlying processes. Through experimentation and research, he combines traditional and contemporary methods with a focus on sustainability and resourcefulness. His objects are bold yet functional, blending form and utility through intuitive making and iterative development.

Seobin Hong is a visual communicator based between Seoul and London, currently studying BA(Hons) Graphic Communication Design at UAL. His work explores the tension between structure and emotion, often navigating themes of vulnerability, identity, and cultural hybridity. Rooted in objective visual systems developed in Seoul and enriched by subjective, intuitive approaches in London, his practice bridges design and personal narrative. Seobin’s process values poetic clarity, experimental methods, and self-taught instincts that question conventional design boundaries.

Tomy Ng (Leong Yin) is a London-based artist working with inflatable latex to explore themes of time, being, and transformation. His practice spans sculpture, installation, and wearable forms, merging material tactility with philosophical abstraction. Tomy views air as a medium for duration—both invisible and structural—giving shape to transient states. Often referencing the body, his works evoke ambiguity between vulnerability and strength. Recent presentations include *Nascent with BAD* at YoungSpace London, *Symbiont at ICA London in collaboration with Untitlab, and *Muscle 01 / *Tire 01 with KARMUEL YOUNG in Los Angeles.

Yingying Qiu is a London-based jewellery artist with a background in Jewellery & Metal from the Royal College of Art and Fashion Design from the China Academy of Art.
In 2025, she participated in the Autor Contemporary Jewellery Fair, London Craft Week, and London Design Week at Blackdot gallery. She will soon exhibit at exhibition OOO, as well as at Inflow 2025 in Hungary, Romania Jewellery Week, Milan Jewellery Week, and Dutch Design Week.
Under her eponymous jewellery brand YINGYINGQIU, Yingy explores avant-garde aesthetics and recurring themes through conceptual collections—including the bold and evocative EASY & INSANE series.

Liao’s process is deeply intuitive, often beginning with automatic drawing and sculpting to allow subconscious impulses to guide her forms. Using tactile materials such as clay, leather, and fabric, she investigates themes of memory, sensation, and .transformation, creating works that capture the body‘s fluid and ever-changing nature Blurringtheboundariesbetweensculptureandfashion,Liao’s practice expands the discourse on bodily perception and inner experience,pushing the limits of wearable and conceptual art.

Amy Hsu Tzu Chen specialises in handcrafting vessels using techniques passed down by female artisans—such as basketry, embroidery, patching, and felting—which she reclaims as powerful forms of resistance and storytelling. Her practice intentionally positions these female-related crafts as catalysts for social and cultural change. Through an intuitive process that honours instinct and emotion, Chen creates abstract, metaphorical forms, offering a poetic lens into the collective female psyche—its traumas, dreams, and inner landscapes. She is currently developing interactive haptic and sonic experiences that subvert gender norms, inviting audiences into sensory rituals that challenge and reimagine traditional power dynamics.